John Waters on Filmmaking, Felonies, Fox News, and Fucking
Conor Williams gawks at “Liarmouth: A Feel-Bad Romance” by John Waters.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Conor Williams gawks at “Liarmouth: A Feel-Bad Romance” by John Waters.
Conor WilliamsAug 31, 2022
Sibelan Forrester reviews Judita Šalgo’s novel “The Road to Birobidzhan,” translated by John K. Cox.
Sibelan ForresterAug 29, 2022
Marcus McGee contextualizes Fernanda Melchor’s “Paradais,” translated by Sophie Hughes.
Marcus McGeeAug 28, 2022
Doug Davis explores the Urban Nuclei of Michael Bishop's "The City and the Cygnets."
Doug DavisAug 27, 2022
Tara Cheesman reviews Javier Cercas’s “Even the Darkest Night,” translated by Anne McLean, in which the Spanish author introduces readers to detective Melchor Marín.
Tara CheesmanAug 24, 2022
Anne Goldman untangles the jungle of thoughts in Werner Herzog’s novel, “The Twilight World.”
Anne GoldmanAug 23, 2022
Mark Labowskie talks with Alice Elliott Dark about her new novel, “Fellowship Point.”
Mark LabowskieAug 22, 2022
Lizzy Attree reviews Zimbabwean author NoViolet Bulawayo’s new novel, “Glory.”
Lizzy AttreeAug 22, 2022
Jalondra Davis discovers that in Monique Roffey’s “The Mermaid of Black Conch,” fishermen sing, women scheme, and mermaids shed their tails for sneakers.
Jalondra A. DavisAug 20, 2022
An interview with Elaine Hsieh Chou about love and rage as it plays out in her latest book, "Disorientation," as well as in her funny and heartbreaking piece, “The 100% Silicone Vibrating Ass & Pussy Speaks,” published in the summer “Do You Love Me” issue of The LARB Quarterly.
Ruth Minah BuchwaldAug 18, 2022
Rafael Frumkin reviews Sarah Thankam Mathews’s new novel “All This Could Be Different.”
Rafael FrumkinAug 18, 2022
Ayelet Haimson Lushkov reviews Clare Pollard’s new novel, “Delphi.”
Ayelet Haimson LushkovAug 15, 2022