Lines and Circles: On Marlen Haushofer’s “The Wall” and Esther Kinsky’s “Grove”
Alexander Sorenson reviews two recently translated German novels, Marlen Haushofer’s “The Wall” and Esther Kinsky’s “Grove: A Field Novel.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Alexander Sorenson reviews two recently translated German novels, Marlen Haushofer’s “The Wall” and Esther Kinsky’s “Grove: A Field Novel.”
Alexander SorensonJun 27, 2023
Josh Billings details the challenges of translating the great Polish writer Bruno Schulz.
Josh BillingsJun 17, 2023
Jim Ruland and Terese Svoboda talk about themes of loss, addiction, and rebellion in their latest novels, Make It Stop and Dog on Fire.
Jim Ruland, Terese SvobodaJun 16, 2023
Dima Ayoub describes the long and multivarious career of Palestinian author and critic Salma Khadra Jayyusi.
Dima AyoubJun 14, 2023
Sean McCoy talks to Laird Hunt about “This Wide Terraqueous World: Essays in Fiction.”
Sean McCoyJun 8, 2023
Caterina Domeneghini reviews “The Stronghold,” Lawrence Venuti’s new translation of Dino Buzzati.
Caterina DomeneghiniJun 7, 2023
Joel Pinckney reviews Max Porter’s “Shy.”
Joel PinckneyMay 27, 2023
Ama Kwarteng reviews Emma Cline’s “The Guest.”
Ama KwartengMay 9, 2023
Terry Nguyen revisits Osamu Dazai through the newly translated “The Flowers of Buffoonery.”
Terry NguyenApr 30, 2023
Ben Hooyman reviews Miquel de Palol’s “The Garden of Seven Twilights.”
Ben HooymanApr 20, 2023
Anna Dorn reviews Madeline Cash’s “Earth Angel.”
Anna DornApr 20, 2023
Kevin Koczwara reflects on Stephen Markley’s “The Deluge” and his own climate anxieties.
Kevin KoczwaraApr 18, 2023