Monsters of Translation: On Arno Schmidt and Sasha Sokolov
Josh Billings wrestles with translations of the “untranslatable” novels of Arno Schmidt and Sasha Sokolov.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Josh Billings wrestles with translations of the “untranslatable” novels of Arno Schmidt and Sasha Sokolov.
Josh BillingsDec 26, 2016
Nicola Barker, author of "The Cauliflower," talks faith, play, and the novel.
Ann Louise BardachDec 24, 2016
Donald Breckenridge on Javier Marías's "Thus Bad Begins."
Donald BreckenridgeDec 23, 2016
Rob Sternberg on the pleasures of rereading John Fante.
Rob SternbergDec 22, 2016
Libby Flores on Taylor Larsen's "Stranger, Father, Beloved."
Libby FloresDec 18, 2016
Jean Hey reviews David Francis’s novel "Wedding Bush Road."
Jean HeyDec 17, 2016
The novel explores dam building, pipelines, and their repercussions on indigenous people.
Mary WarnerDec 14, 2016
Michael Blum takes a fresh look at the shorter work of Walter Benjamin.
Michael BlumDec 13, 2016
Andrea Penman-Lomeli interviews New Orleans-based author Nicholas Mainieri about his novel “The Infinite,” which is set along the US-Mexico border.
Andrea Penman-LomeliDec 10, 2016
Menachem ponders the Chabonian mode of “Moonglow” by Michael Chabon.
Menachem KaiserDec 8, 2016
César Aira's "Ema the Captive" is a surreal Western in the spirit of Cormac McCarthy’s "Blood Meridian" that causes you to lose your sense of proportion.
Nathan Scott McNamaraDec 5, 2016
What does it mean to move among multiple genres as a writer?
Olivia ClareDec 4, 2016