Vastness in Microfiction: An Interview with Jennifer Tseng
Gabrielle Bellot interviews Jennifer Tseng about her new collection of flash fiction, “The Passion of Woo & Isolde.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Gabrielle Bellot interviews Jennifer Tseng about her new collection of flash fiction, “The Passion of Woo & Isolde.”
Gabrielle BellotSep 21, 2017
Louis Elliott talks to Joshua Cohen about his new novel, "Moving Kings."
Louis ElliottSep 20, 2017
Anna E. Clark reviews Nicole Krauss's latest.
Anna E. ClarkSep 19, 2017
Jean-Thomas Tremblay reviews "Writers Who Love Too Much: New Narrative 1977-1997," edited by Dodie Bellamy and Kevin Killian.
Jean-Thomas TremblaySep 16, 2017
What can the novel say about Trump? Probably not much at this stage. About the United States? Plenty. Does "The Golden House" do so? Unfortunately not.
Shehryar FazliSep 13, 2017
Dan Lopez on the murky and precarious position of the exile in Achy Obejas’s “The Tower of the Antilles.”
Dan LópezSep 6, 2017
What does it mean when James Baldwin says that he is a blues singer?
Clifford ThompsonSep 4, 2017
Alexia Underwood interviews Ugandan novelist Jennifer Nansubuga Makumbi about "Kintu."
Alexia UnderwoodAug 31, 2017
Patrick Kurp listens in to “Conversations with Vladimir Nabokov,” edited by Robert Golla.
Patrick KurpAug 31, 2017
Sarah Hoenicke reviews Achy Obejas's short story collection "The Tower of the Antilles."
Sarah HoenickeAug 30, 2017
Like any good horror novel, Gabriel Tallent's "My Absolute Darling" uses its cramped framework to steadily build tension.
Anna E. ClarkAug 29, 2017
Charles Sabatos contextualizes the Kafkaesque post-communist novella “In the Name of the Father” by the major Slovak author Balla.
Charles SabatosAug 28, 2017