Completing the Portrait: John Banville Tells Us What Isabel Archer Does Next
Thomas J. Millay reviews John Banville's "Mrs. Osmond," his continuation of "The Portrait of a Lady."
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Thomas J. Millay reviews John Banville's "Mrs. Osmond," his continuation of "The Portrait of a Lady."
Thomas J. MillayNov 7, 2017
James O’Sullivan finds magic and meaning in “All the Delicate Duplicates,” a work of electronic literature by Mez Breeze and Andy Campbell.
James O’SullivanNov 7, 2017
Ani Kokobobo is captivated by “The Revolution of Marina M.” by Janet Fitch.
Ani KokoboboNov 7, 2017
Steph Cha talks to Ben Loory about his creative process and his latest collection, “Tales of Falling and Flying.”
Steph ChaNov 6, 2017
Nathan Scott McNamara visits Renee Gladman at her home in Connecticut to discuss loneliness, love, and her invented city of Ravicka.
Nathan Scott McNamaraNov 6, 2017
Lauren Kinney communes with “The Disintegrations,” Alistair McCartney novel about death.
Lauren KinneyNov 3, 2017
Delia Ungureanu uncovers the hidden surrealist subtext of Vladimir Nabokov’s “Lolita.”
Delia UngureanuOct 30, 2017
Shonda Buchanan reviews Leonard Chang's "The Lockpicker."
Shonda BuchananOct 27, 2017
Nandini Balial considers Jennifer Egan's latest.
Nandini BalialOct 26, 2017
When was the last time you heard someone say Balanchine's name? Jean Lenihan reviews "The Complete Ballet: A Fictional Essay in Five Acts."
Jean LenihanOct 26, 2017
Willa Cather’s realist novel “My Ántonia” turns out to be rather unreal when it came to depicting frontier life in all its difficulty.
Robert SlaytonOct 25, 2017
Yelena Furman on “City Folk and Country Folk,” a rediscovered novel by the 19th-century Russian writer Sofia Khvoshchinskaya.
Yelena FurmanOct 24, 2017