To and from the Linguistic Shore of Ismail Kadare’s “A Girl in Exile”
Michael Valinsky appreciates the self-reflexive beauty of Ismail Kadare’s “A Girl in Exile.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Michael Valinsky appreciates the self-reflexive beauty of Ismail Kadare’s “A Girl in Exile.”
Michael ValinskyJan 9, 2018
Eric Gudas finds Peter Taylor’s two-volume “Complete Stories” transformative.
Eric GudasJan 8, 2018
On Toneelgroep Amsterdam’s theatrical adaptation of Ayn Rand’s “The Fountainhead.”
Peter TrachtenbergJan 8, 2018
Bradley Babendir finds Hermione Hoby’s debut novel “Neon in Daylight” luminous and wonderful.
Bradley BabendirJan 7, 2018
Linda Kinstler considers two Lithuanian Jewish memorial endeavors, Grigory Kanovich's novel “Shtetl Love Song” and his son Sergey’s “Lost Shtetl” project.
Linda KinstlerJan 3, 2018
Nicky Loomis follows the winding sentences of László Krasznahorkai's "The World Goes On."
Nicky LoomisDec 29, 2017
Alexis Levitin contemplates “Russian Émigré Short Stories from Bunin to Yanovsky,” edited by Bryan Karetnyk.
Alexis LevitinDec 25, 2017
On a great director’s neglected novels.
Daniel FelsenthalDec 24, 2017
It is foolish to ask: is this novel as good as "King Lear?" But it is as foolish to restate the prejudice that Shakespeare is the incomparable great bard.
Daniel SwiftDec 23, 2017
Rebecca Waldron on Niña Weijers's novel of self-erasure and self-discovery.
Rebecca WaldronDec 22, 2017
Brian Dille, who was Denis Johnson’s friend, gives his perspective on how Christianity and Alcoholics Anonymous informed the “Jesus’ Son” author’s work.
Brian B. DilleDec 21, 2017
Dustin Illingworth reveals the magic of Henry Green’s late-career novels “Concluding,” “Nothing,” and “Doting.”
Dustin IllingworthDec 20, 2017