Learing This Sad Time: On Edward St. Aubyn’s “Dunbar”
It is foolish to ask: is this novel as good as "King Lear?" But it is as foolish to restate the prejudice that Shakespeare is the incomparable great bard.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
It is foolish to ask: is this novel as good as "King Lear?" But it is as foolish to restate the prejudice that Shakespeare is the incomparable great bard.
Daniel SwiftDec 23, 2017
Rebecca Waldron on Niña Weijers's novel of self-erasure and self-discovery.
Rebecca WaldronDec 22, 2017
Brian Dille, who was Denis Johnson’s friend, gives his perspective on how Christianity and Alcoholics Anonymous informed the “Jesus’ Son” author’s work.
Brian B. DilleDec 21, 2017
Dustin Illingworth reveals the magic of Henry Green’s late-career novels “Concluding,” “Nothing,” and “Doting.”
Dustin IllingworthDec 20, 2017
Tyler Malone praises the “world-blocking” technique of the mysterious classic “Ice” by Anna Kavan.
Tyler MaloneDec 19, 2017
On Melville’s neglected “epic of the piecemeal.”
Colin DayanDec 19, 2017
Julia Walton on a new novel in verse about trauma and family tragedy.
Julia WaltonDec 16, 2017
Jason Middleton on Stephen King's "It" and the "era of the ubiquitous missing child."
Jason MiddletonDec 13, 2017
Anita Felicelli finds flaw and favor in Louise Erdrich’s dystopian novel “Future Home of the Living God.”
Anita FelicelliDec 12, 2017
Aisha Sabatini Sloan and Kiese Laymon in dialogue.
Aisha Sabatini SloanDec 7, 2017
Colin Winnette talks with D. Foy about his new novel, "Absolutely Golden."
Colin WinnetteDec 5, 2017
Dick Cluster discusses Latin American baseball fiction, which he has translated and anthologized in “Kill the Ámpaya!”
Dick ClusterDec 3, 2017