Dissolving Identities: On Cristina Rivera Garza’s “The Iliac Crest”
Rachel Ballenger dwells in “The Iliac Crest,” a novel by Cristina Rivera Garza, translated by Sarah Booker.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Rachel Ballenger dwells in “The Iliac Crest,” a novel by Cristina Rivera Garza, translated by Sarah Booker.
Rachel BallengerFeb 14, 2018
Amanda Dennis cracks open “Samuel Beckett Is Closed” by Michael Coffey.
Amanda DennisFeb 13, 2018
John Tytell ranges over “The Dawn Watch: Joseph Conrad in a Global World” by Maya Jasanoff.
John TytellFeb 10, 2018
Chelsea Leu finds the cloying and the clever in two new novels that reckon with immortality: Dara Horn’s “Eternal Life” and Matt Haig’s “How to Stop Time.”
Chelsea LeuFeb 10, 2018
David Hering reviews "White Tears" and "Olio."
David HeringFeb 7, 2018
Could Verónica Gerber Bicecci’s cleverly fragmented novel “Empty Set” be an antidote to narrative despair?
Lisa FetchkoFeb 7, 2018
Eisa Nefertari Ulen interviews Tayari Jones, author of "An American Marriage."
Eisa Nefertari UlenFeb 6, 2018
Azareen Van der Vliet Oloomi’s “Call Me Zebra” threads narrative and theory to depict the isolating experience of exile.
Nathan Scott McNamaraFeb 6, 2018
Tina McElroy Ansa reviews Tayari Jones's new novel.
Tina McElroy AnsaFeb 6, 2018
The inimitable fictions of the 2017 Nobel laureate.
Robert CreminsFeb 4, 2018
Melynda Fuller reviews Eileen Chang's "Little Reunions," recently rereleased by NYRB Classics.
Melynda FullerFeb 3, 2018
Translating a famous American crime into a French fiction.
Sara KippurFeb 2, 2018