Three Questions for John Rechy Regarding His Novel, “After the Blue Hour”
Daniel Olivas talks to John Rechy about “After the Blue Hour.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Daniel Olivas talks to John Rechy about “After the Blue Hour.”
Daniel A. OlivasJan 15, 2018
On a quintessential Los Angeles writer.
Fiona BrysonJan 12, 2018
Deborah Smith, whose rendition of Han Kang’s “The Vegetarian” won the Man Booker International Prize, reflects on the controversies of translation.
Deborah SmithJan 11, 2018
Taylor Larsen applauds the reissue of Jenny Diski’s 1995 story collection “The Vanishing Princess.”
Taylor LarsenJan 10, 2018
Michael Valinsky appreciates the self-reflexive beauty of Ismail Kadare’s “A Girl in Exile.”
Michael ValinskyJan 9, 2018
Eric Gudas finds Peter Taylor’s two-volume “Complete Stories” transformative.
Eric GudasJan 8, 2018
On Toneelgroep Amsterdam’s theatrical adaptation of Ayn Rand’s “The Fountainhead.”
Peter TrachtenbergJan 8, 2018
Bradley Babendir finds Hermione Hoby’s debut novel “Neon in Daylight” luminous and wonderful.
Bradley BabendirJan 7, 2018
Linda Kinstler considers two Lithuanian Jewish memorial endeavors, Grigory Kanovich's novel “Shtetl Love Song” and his son Sergey’s “Lost Shtetl” project.
Linda KinstlerJan 3, 2018
Nicky Loomis follows the winding sentences of László Krasznahorkai's "The World Goes On."
Nicky LoomisDec 29, 2017
Alexis Levitin contemplates “Russian Émigré Short Stories from Bunin to Yanovsky,” edited by Bryan Karetnyk.
Alexis LevitinDec 25, 2017
On a great director’s neglected novels.
Daniel FelsenthalDec 24, 2017