Critically Cringe: On Susan Neiman’s “Left Is Not Woke”
Samuel C. Huneke takes Susan Neiman’s “Left Is Not Woke” to task.
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
Samuel C. Huneke takes Susan Neiman’s “Left Is Not Woke” to task.
Samuel Clowes HunekeSep 17, 2023
The history of an Upper West Side sex therapy cult isn’t what you think it will be, according to Dave Mandl’s review of Alexander Stille’s “The Sullivanians.”
Dave MandlSep 9, 2023
Hazem Fahmy reviews “The Kingdom of Surfaces” by Sally Wen Mao.
Hazem FahmyAug 28, 2023
Chloe Xiang reviews “Mass for Shut-Ins” by Mary-Alice Daniel.
Chloe XiangAug 4, 2023
Olivia Stowell reviews Michael Szalay’s “Second Lives: Black-Market Melodramas & the Reinvention of Television.”
Olivia StowellJul 29, 2023
David N. Myers reviews Max Czollek’s “De-integrate! A Jewish Survival Guide for the 21st Century.”
David N. MyersJul 10, 2023
Vivian Medithi reviews McKenzie Wark’s “Raving.”
Vivian MedithiJun 29, 2023
Liz Wolfson profiles Katie Heindl, author of the sports Substack “Basketball Feelings.”
Liz WolfsonJun 10, 2023
Jordan S. Carroll reviews Robert Guffey’s “Operation Mindfuck: QAnon and the Cult of Donald Trump” and Mia Bloom and Sophia Moskalenko’s “Pastels and Pedophiles: Inside the Mind of QAnon.”
Jordan S. CarrollDec 31, 2022
On its 75th anniversary, Jason Resnikoff revisits the World War II documentary “Thunderbolt” and how it captures the relationship between filmmaking and war-making.
Jason ResnikoffDec 28, 2022
Isabelle Lang and Laura Valenza revisit the 1990s feminist revenge plot and its bearing on today’s domestic violence laws.
Isabelle Lang, Laura ValenzaNov 25, 2022
José Luis Benavides reviews “Abecedario de Juárez: An Illustrated Lexicon” by Julián Cardona and Alice Leora Briggs, with translations by Alice L. Driver.
José Luis BenavidesNov 21, 2022