Sound Epistemology
Alexander Billet listens to Damon Krukowski’s “Why Sound Matters.”
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
Alexander Billet listens to Damon Krukowski’s “Why Sound Matters.”
Alexander BilletNov 2
Emmet Fraizer considers Adam Szetela’s “That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.”
Emmet FraizerOct 26
Martin Dolan explores labor, trade, and shared humanity in Craig Thompson’s “Ginseng Roots.”
Martin DolanOct 12
Oliver Wang speaks with two De La Soul biographers, Dave Heaton and Marcus J. Moore, about their respective portrayals of the rap group’s complex legacy.
Oliver WangSep 30
Helena Aeberli investigates the aesthetics of memes and trash essays in Joanna Walsh’s “Amateurs! How We Built Internet Culture and Why It Matters.”
Helena AeberliSep 25
Anna Gaca finally understands French, in a preview of LARB Quarterly no. 46: “Alien.”
Anna GacaSep 22
Robert N. Watson investigates Thomas Chatterton Williams’s “Summer of Our Discontent: The Age of Certainty and the Demise of Discourse.”
Robert N. WatsonSep 22
Jeremy Murray reviews Paul French’s “Destination Macao.”
Jeremy MurraySep 20
Helena Aeberli devours Ruby Tandoh’s “All Consuming: Why We Eat the Way We Eat Now.”
Helena AeberliSep 14
Jordan Osserman reads two recent queer theory books exploring the form and chemistry of sex.
Jordan OssermanSep 7
Kristen Felicetti considers Colette Shade’s “Y2K: How the 2000s Became Everything.”
Kristen FelicettiSep 6
Julie Sedivy reviews Michael Erard’s “Bye Bye I Love You: The Story of Our First and Last Words.”
Julie SedivySep 6