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A Collection of Intersections: On Gil Cuadros’s “My Body Is Paper”
Gabriel X. Hendrix reviews Gil Cuadros’s “My Body is Paper.”
Cultural Studies
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
What It Does with Wreckage: On Hala Alyan’s “The Moon That Turns You Back”
Anthony Alessandrini reviews Hala Alyan’s “The Moon That Turns You Back.”
The Commonsense Critic: A Personal Tribute to Helen Vendler
Cinque Henderson writes a personal tribute for Helen Vendler.
Some Other I Before Me: On Seeking Guidance From AAPI Memoirs
For AAPI month, Rajpreet Heir writes about the creative guidance she’s found in memoirs by AAPI authors.
Ozempic: Reshaping Desire Since 2023
Ozempic is a drug against addiction. Is it also a drug for … virtue? wonders political scientist Krzysztof Pelc.
What Was the Sitcom? On Grace Lavery’s “Closures”
Isabel Bartholomew reviews Grace Lavery’s “Closures: Heterosexuality and the American Sitcom.”
Here Be Monstrous Architects: On Joshua Comaroff and Ong Ker-Shing’s “Horror in Architecture”
Stephanie Schoellman reviews Joshua Comaroff and Ong Ker-Shing’s “Horror in Architecture: The Reanimated Edition.”
I Would Like to Know Her: On Cookie Woolner’s “The Famous Lady Lovers”
Leigh-Michil George reviews Cookie Woolner’s “The Famous Lady Lovers: Black Women and Queer Desire Before Stonewall.”
How Long Will I Be a Prisoner? On Alison C. Rollins’s “Black Bell”
Diana Arterian reviews Alison C. Rollins’s “Black Bell.”
All of This, My Dear Sir, Is Surrealism: On Mark Polizzotti’s “Why Surrealism Matters”
Anna Levett reviews Mark Polizzotti’s “Why Surrealism Matters.”
Bad Dad Jokes: On Lucas Mann’s “Attachments”
Adam Fleming Petty reviews Lucas Mann’s “Attachments: Essays on Fatherhood and Other Performance,” rooting his analysis in his personal experience.
Dads in the Wild: On Lucas Mann’s “Attachments”
Margo Steines reviews Lucas Mann's “Attachments: Essays on Fatherhood and Other Performances.”
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