Whose (Who’s) Shakespeare? On Amelia Rosselli’s “Sleep”
Taylor Yoonji Kang reviews Amelia Rosselli’s “Sleep.”
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
Taylor Yoonji Kang reviews Amelia Rosselli’s “Sleep.”
Taylor Yoonji KangFeb 22, 2024
Sheila Liming gets to the bottom of Apple TV+ and Katherine Jakeways’s “The Buccaneers.”
Sheila LimingFeb 20, 2024
LARB social media director Maya Chen rounds up her ultimate relationship red and green flags for 2024.
Maya ChenFeb 14, 2024
Christian Lewis reviews Sasha Velour’s “The Big Reveal: An Illustrated Manifesto of Drag.”
Christian LewisFeb 12, 2024
In a preview of the upcoming LARB Quarterly issue, no. 41: “Truth,” Claire Shaffer muses on how Taylor Swift has begun to recast her personal story and musical legacy.
Claire ShafferFeb 10, 2024
Rachel Carroll reviews Saretta Morgan’s “Alt-Nature.”
Rachel CarrollFeb 6, 2024
Michael Sandlin reviews Jason Ruiz’s “Narcomedia: Latinidad, Popular Culture, and the War on Drugs.”
Michael SandlinFeb 2, 2024
Michael Downs considers the troubled state of the institution that preserves the work of H. L. Mencken.
Michael DownsFeb 2, 2024
Grace Byron reviews Anna Kornbluh’s “Immediacy: Or, The Style of Too Late Capitalism.”
Grace ByronJan 31, 2024
Christina Fogarasi reviews Anna Kornbluh’s “Immediacy: Or, the Style of Too Late Capitalism.”
Christina FogarasiJan 31, 2024
Philippa Snow examines the anti-heroism offered by Bravo’s reality show “Vanderpump Rules.”
Philippa SnowJan 29, 2024
Eliana Rozinov revisits Jane Campion's “A Girl’s Own Story” and “The Piano” on the 30th anniversary of the latter film.
Eliana RozinovJan 27, 2024