Worlds in Stone: The Rock Books of Richard Sharpe Shaver
Aaron Labaree excavates Richard Sharpe Shaver’s “Some Stones Are Ancient Books.”
Aaron Labaree excavates Richard Sharpe Shaver’s “Some Stones Are Ancient Books.”
Katie Berta examines the properties of grief in Prageeta Sharma’s new poetry collection “Onement Won.”
Kate Millar reviews Anne Waldman’s “Archivist Scissors.”
Anthony Curtis Adler considers the new translation of Walter Benjamin’s “On Goethe” from Stanford University Press.
Martin Laflamme traces the history and future of globalization through three recent books on China’s techno-nationalism.
Helena Aeberli devours Ruby Tandoh’s “All Consuming: Why We Eat the Way We Eat Now.”
M. D. Usher explores Moin Mir’s “Travels with Plotinus: A Journey in Search of Unity.”
In advance of Andreas Malm and Wim Carton’s forthcoming book “The Long Heat: Climate Politics When It’s Too Late,” Genevieve Guenther revisits the authors’ 2024 title “Overshoot: How the World Surrendered to Climate Breakdown.”
Alan Barenberg considers Michael David-Fox’s “Crucibles of Power: Smolensk Under Stalinist and Nazi Rule.”
Zach Gibson revisits Michel Serres’s “Hermes” series by way of Randolph Burks’s new translation.
Anne Stevenson-Yang reviews Robert L. Suettinger’s “The Conscience of the Party” and Joseph Torigian’s “The Party’s Interests Come First.”
Gavriel D. Rosenfeld reviews Alec Ryrie’s “The Age of Hitler and How We Will Survive It.”
Josh Billings reviews German author Michael Lentz’s novel “Schattenfroh,” newly translated by Max Lawton.
David Schurman Wallace reviews Natalie Shapero’s new collection “Stay Dead.”
David Palumbo-Liu considers Linda Quiquivix’s “Palestine 1492: A Report Back.”
Katie Tobin reviews Hungarian author Ágota Kristóf’s story collection “I Don’t Care,” newly translated by Chris Andrews.