Connecting the Dots
Adam Sobsey talks with Nell Zink and explores her new novel “Sister Europe.”
Adam Sobsey talks with Nell Zink and explores her new novel “Sister Europe.”
Jordan Osserman reads two recent queer theory books exploring the form and chemistry of sex.
Kristen Felicetti considers Colette Shade’s “Y2K: How the 2000s Became Everything.”
Julie Sedivy reviews Michael Erard’s “Bye Bye I Love You: The Story of Our First and Last Words.”
Cory Oldweiler reviews Croatian author Martina Vidaić’s novel “Bedbugs,” newly translated by Ellen Elias-Bursać.
Christian Kriticos considers Louis Sachar’s “The Magician of Tiger Castle,” the children’s author’s “first novel for adults.”
Zach Gibson reviews Hayden White’s second volume of “The Ethics of Narrative: Essays on History, Literature, and Theory.”
Martha Ronk thinks about Kristen Case’s “Daphne.”
Tammy Lai-Ming Ho explores Ho Sok Fong’s “Lake Like a Mirror,” translated by Natascha Bruce, and Lau Yee-Wa’s “Tongueless,” translated by Jennifer Feeley.
Tadhg Hoey considers Ben Ratliff’s “Run the Song: Writing About Running About Listening.”
Mahika Dhar reviews two classics of Chinese literature: Kong Shangren’s “The Peach Blossom Fan” and Zhang Yingyu’s “More Swindles from the Late Ming.”
Vivien Chang reviews Howard W. French’s “The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide.”
Cory Oldweiler reviews German author Elena Fischer’s debut novel “Paradise Garden,” newly translated by Alexandra Roesch.
Graham J. Murphy considers Badiucao and Melissa Chan’s “You Must Take Part in Revolution.”
Tim Riley reviews the Guarneri Quartet’s “Complete RCA Album Collection.”
Michelle T. King reviews Catherine Lila Chou and Mark Harrison’s “Revolutionary Taiwan” and Anna Beth Keim’s “Heaven Does Not Block All Roads.”