Edward Steed’s Posthuman Comedy
Ivan Kreilkamp “blasts through ordinary perception” in Edward Steed’s “Forces of Nature: A Book of Drawings.”
Ivan Kreilkamp “blasts through ordinary perception” in Edward Steed’s “Forces of Nature: A Book of Drawings.”
Gracie Hadland relates to John Tottenham’s “Service.”
Eric Vanderwall reviews Peter Behrman de Sinéty’s new translation of French author Pierre Guyotat’s memoir “Idiocy.”
Tom LeClair clop-clops through Mark Z. Danielewski’s new novel “Tom’s Crossing.”
John Rieder explores Zac Zimmer’s “First Contact: Speculative Visions of the Conquest of the Americas.”
Josh Billings wonders about Helen DeWitt and Ilya Gridneff’s new novel “Your Name Here.”
Emmet Fraizer considers Adam Szetela’s “That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.”
Claire Foster reviews Claire-Louise Bennett’s “Big Kiss, Bye-Bye.”
Corinne Cordasco-Pak reviews Erica Stern’s “Frontier: A Memoir and a Ghost Story.”
Ryan Lackey considers Damion Searls’s take on the vertiginous effects of digital life in “Analog Days.”
Amy R. Wong explores Nan Z. Da’s “The Chinese Tragedy of King Lear.”
Ian Kumekawa dives into Samanth Subramanian’s “The Web Beneath the Waves: The Fragile Cables That Connect Our World.”
Zachary Gillan explores Samanta Schweblin’s “Good and Evil and Other Stories,” translated by Megan McDowell.
Douglas Dowland close-reads Dan Sinykin and Johanna Winant’s new edited volume, “Close Reading for the Twenty-First Century.”
Eric Vanderwall takes a ride with French author Mattia Filice’s debut novel “Driver,” newly translated by Jacques Houis.
Rob Arcand reviews Hito Steyerl’s new essay collection, “Medium Hot: Images in the Age of Heat.”