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Animals as the Beating Heart of the Planet: On Joe Roman’s “Eat, Poop, Die”
In Joe Roman’s “Eat, Poop, Die: How Animals Make Our World,” Ferris Jabr finds a compelling account of important scientific insights.
All Reviews
Speculative Finance and Predatory Abstraction: On Jonas Eika’s “After the Sun”
Ali Rıza Taşkale analyzes the way Jonas Eika’s short story collection “After the Sun” critiques speculative finance and offers new ways to imagine the potentials of the future.
The City in Its Grip: On Tricia Romano’s “The Freaks Came Out to Write”
T. M. Brown reviews Tricia Romano’s “The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture.”
Through a Grid, Darkly: On Anna Shechtman’s “The Riddles of the Sphinx”
Adrienne Raphel reviews Anna Shechtman’s “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle.”
Making History Sing: On Vera Mutafchieva’s “The Case of Cem”
Josh Billings reviews Bulgarian author Vera Mutafchieva’s historical novel “The Case of Cem.”
The Genesis of Grace: On Marilynne Robinson's “Reading Genesis”
Brad East reviews Marilynne Robinson’s “Reading Genesis.”
Fading Memories: On Sly Stone’s “Thank You (Falettinme Be Mice Elf Agin)”
Matthew Ritchie reviews Sly Stone’s “Thank Ya (Falettinme Be Mice Elf Agin).”
Become Death: On Christopher Nolan's “Oppenheimer”
Paul Thompson considers Chris Nolan’s “Oppenheimer” and the atomic bomb on-screen.
Black Artists and the Logic of the Market: On Cord Jefferson’s “American Fiction”
Eskor David Johnson reviews Cord Jefferson’s film “American Fiction.”
Refuge, Possibility, and Black Place: On Ayana Mathis’s “The Unsettled”
J. T. Roane considers Ayana Mathis’s “The Unsettled.”
The Drawers Keep Popping Open: On Sloane Crosley’s “Grief Is for People”
Tahneer Oksman reviews Sloane Crosley’s “Grief Is for People.”
Prince Gautama’s Countless Faces: On Philip C. Almond’s “The Buddha”
David E. Cooper reviews Philip C. Almond’s “The Buddha: Life and Afterlife Between East and West.”
A Secret and Threatening Reality: On Liliana Colanzi’s “You Glow in the Dark”
Drew Zeiba reviews Liliana Colanzi’s “You Glow in the Dark.”
The Contours of Negative Space: On Tessa Hulls’s “Feeding Ghosts”
Martin Dolan reviews Tessa Hulls’s “Feeding Ghosts.”
A Palestinian Valentine from the Future: On Fady Joudah’s “[…]”
Rosalie Moffett reviews “[…]” by Fady Joudah.
No More Hunger and Thirst? On Barbra Streisand’s “My Name Is Barbra”
Dolores McElroy reviews Barbra Streisand’s memoir “My Name Is Barbra.”
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