Revisiting Gordon Parks’s “Segregation Story” 60 Years Later
To see Gordon Parks's images from "Segregation Story" today is to be left emotionally bereft, to gasp at the facts of an all-too-recent history, to shudder at how far we have not come.
To see Gordon Parks's images from "Segregation Story" today is to be left emotionally bereft, to gasp at the facts of an all-too-recent history, to shudder at how far we have not come.
Sarah Ward reviews the new prequel by Arnaldur Indridason
The storied career of one of The New Yorker’s most prized journalists “cannot be evaluated in any ordinary way.”
Tomlinson hasn't overcome the pain of yearning for a father who was unavailable. But she has taken that pain and used it to make herself a writer.
How can you get your head around 297 homicides in Los Angeles in 2011, with pitifully low clearance rates for black-on-black murders?
Alex Norcia discusses Stephen Marche's new novel in the context of the second gilded age.
Moving fluidly between the trivial and profound, Julavits shows what a diary can do. It’s a vivid counterpoint to Manguso’s serious disavowal of the form.
Monson's essays tucked into library books allow the author and his readers to toss off the rules and just play.
A Spinozist politics? Mathematics? Posthumanism? Baruch (Benedict de) Spinoza is, as Hasana Sharp points out, a "philosopher of many posthumous births."
"A man who wears so many masks is always tempted to reveal who he is."
Has Renata Adler's genuine radicalism resulted in her being silenced?
What is good about McGuane's stories is their indirection, and the sense that just under the surface is a swelling about to turn into a terror.
What "Lucky Alan" underscores about Jonathan Lethem, and what sets him apart from the rest of the herd, is his ability to speak to multiple interpretive communities at the same time.
The explosion of cash-for-gold shops is part of a bigger neoliberal crisis.
How catastrophe, medical errors, natural disasters, and unchecked exuberance push people to the solitary edges of social life.
Elise Moser on the Minnesota Trilogy by Vidar Sundstøl