Two Generations of South African Nonfiction
Reading van Onselen and Steinberg together suggests a telling generational shift of mood about how South African stories can, and ought, to be told.
Reading van Onselen and Steinberg together suggests a telling generational shift of mood about how South African stories can, and ought, to be told.
A self is not a physical object. There isn't a little homunculus inside you or a mini-person sitting inside the mini-cab of a mini-crane moving your limbs.
Patriotic Betrayal is a cautionary tale about how our government compromises well-meaning people in the name of fighting “our enemies.”
"What is it about my profession, reading and thinking about books, that makes the categories of love and work so vulnerable to confusion?"
How have Egypt’s uprisings altered desert development
How the underground imploded is now clearer. Why it existed in the first place remains the enduring question and greater mystery.
"'Wrestling the Angel' is a comprehensive synthesis of Mormon theology."
"Belzhar," Meg Wolitzer's novel for young adults, is ultimately about facing and writing what best tells the story of you.
“Philip Glass has become, whether he likes it or not, a name on a list of sound-material used to induce states of mind.”
Is there something inherently queer about pregnancy itself?
Jerome Winter on "Sf Now," Paradoxa 26 (2014), edited by Mark Bould and Rhys Williams.
If "There's Something I Want You to Do" contains a lesson, it is that inventing one's own decalogue — one's own set of rules, one's own morality — carries quite a risk, not of damnation, but of existential exhaustion.
Alan Lightman’s new memoir makes memories less about “facts” than about how we process and continually reshuffle them.
Peter Thiel’s neo-aristocratic technodemocracy.
Eichengreen's main point about the Great Recession is well taken: we ought to stop patting ourselves on the back and take a much harder look at what we got wrong.