Poetry and Persona
The essays in Queen of the Fall describe, with wrenching precision, a woman's inability to have children.
The essays in Queen of the Fall describe, with wrenching precision, a woman's inability to have children.
The book’s title may at first sound like the name of a death metal band, but "The Infernal" is likely a portmanteau of "inferno" and "internal": an internalized and self-made hell-on-earth.
Juliana Romano's debut novel for young adults paints a portrait of changing friendships on a Southern California background.
Violence plays an essential, defining role in novelist Tania James’s stunning second novel, The Tusk That Did the Damage. The novel shines a necessary light on the challenges faced when living alongside the wild.
How James Merrill went from a poetic "finical interior decorator" to one of the most accomplished verse technicians of the 20th century.
"Had I asked 'Is God necessary?' a few centuries ago, I would have probably been stoned to death or burned alive."
Christopher Spaide on Angie Estes's "Enchantée."
Ian Bostridge explores the literary, historical, and postmodern psychological themes that weave through Schubert's 24-song cycle, "Winterreise."
In "Invisible," Philip Ball addresses the relationship between scientific inquiry and our beliefs about the world beyond our senses.
"In the All-Night Café" describes the year before the release of "Tigermilk" and helps to explain how Belle and Sebastian's sound was a product of their environment.
Could a woman's desire to get close to a convicted murderer stem from PTSD?
Albania, Europe's accidental country, has a dirty secret: pyramid schemes.
Lee Gutkind's "Same Time Next Week" and Irvin D. Yalom's "Creatures of a Day" represent two takes on the state of psychotherapy and mental illness today.
"The Secret of Hoa Sen" is a dark, gritty, sentimental collection from one of Vietnam's foremost contemporary poets, Nguyen Phan Que Mai.
Jane Smiley has published the second volume of her "Last Hundred Years" trilogy.
Latifah Salom on Heidi Pitlor's second novel.