Competition and Coexistence: A Pushmi-Pullyu Perspective
Bad science is bad religion: on Greg Graffin's "Population Wars."
Bad science is bad religion: on Greg Graffin's "Population Wars."
Joanna Klink, the Romantic tradition, and poetry in the time of environmental disaster.
Rust cannot be stopped: Jonathan Waldman on our long war against rust.
Vladimir Nabokov wasn’t born in the USA — and that made his take on America important.
Our beloved superheroes know that we exist, and they are really, really mad at us for what we have done to them.
On F.H. Batacan and Filipino noir.
Not only in interviews but in the novels themselves, Knausgaard has proven his own best critic.
Andrew Hartman's detailed account of the extended "shouting match" about America's identity, a.k.a. the culture wars.
The stories within "The Best Horror of the Year, Volume 7," edited by Ellen Datlow, feature the usual assortment of terrors.
Known for his sharp wit and idiosyncratic prose, Andrei Bitov has become a curious fixture within the Russian literary establishment.
— The Dying Grass and other Dreams of William T. Vollmann
Go Set a Watchman is not a sequel to To Kill a Mockingbird: Harper Lee intended it to be an entirely different book.
Vollmann wishes for a release from ahistoricism that deprives Americans of the perspective needed to grapple capably with problems arising in the present.
Lyricism and the brutality of war occur side by side with electric results in a new translation of Isaac Babel by Boris Dralyuk.
With "Tomb(e)," Cixous pierces into the nature of love and jealousy.
Vu Tran’s novel, Dragonfish, is partly mystery, partly an immigrant story, and partly about loss and heartbreak.