Unkillable Mockingbird
Go Set A Watchman's usefulness lies in its push toward self-examination and reflexivity.
Go Set A Watchman's usefulness lies in its push toward self-examination and reflexivity.
Once the story careens into British-occupied Egypt, the reader of Al Aswany’s third novel begins to understand that this book isn’t at all about automobiles, or even really about Egypt.
Cora Du Bois was one of the first female anthropologists and a talented ethnographer whose work focused on social psychology.
Urmila Seshagiri reviews Jonathan Franzen's "Purity."
"Diary of a Madman" tries to simultaneously hold color and depression — life and death — in a single frame.
"Mr. West" is an exploration of celebrity in the form of poetry.
Amitav Ghosh's Ibis Trilogy comes to a conclusion with "Flood of Fire."
Gary Rivlin's "Katrina: After the Flood" argues that "Katrina was pretext for ridding New Orleans of enough blacks … so that whites were once again in the majority."
To read Ronnie Greene’s Shots on the Bridge in the time of Black Lives Matter is to confront rage.
Once you start looking for them, Heideggerians are everywhere. Stop hiding from Heidegger.
"You Too Can Have a Body Like Mine," the new novel by Alexandra Kleeman, is obsessed with flesh.
For both Takolander and Pollari, the loss they feel is due a changed relationship not just with national borders, but with their own histories.
How much technology should we be willing to use to stay alive? Will robots inherit the earth?
Désirée Zamorano on representation and Los Angeles in Nina Revoyr’s new novel.
"Much of Didion's writing about LA reads not as accurate description of the city but as penance for her great sin of leaving New York."
Michael Dirda writes about reading, but do we want to read it?