Beautiful, Broken Bodies
"Sing Me Your Scars" is not always a pleasant read. It's hard not to squirm as the women in these stories are crucified, stabbed, beaten, bruised, and incised.
"Sing Me Your Scars" is not always a pleasant read. It's hard not to squirm as the women in these stories are crucified, stabbed, beaten, bruised, and incised.
Lucas Mann and David Payne on the grief memoir of losing a family member young and writing as healing.
Aysha Hidayatullah takes stock of the work Muslim women commentators on the Qur'an have done so far.
Juan Villoro is an under-known Mexican writer, whose humorous short stories probe questions of identity, self-perception, and authorship.
In "The Cartel," Don Winslow provides a stark window into the effects of extreme human desire. Nothing fantastical. This is the human condition.
Robert Saviano follows trails of money, power, and bodies, investigating the contemporary influence of cocaine.
Toscano and Kinkle draw on Fredric Jameson's "aesthetic of cognitive mapping" to present "cartography" as a metaphor for the kind of beauty that builds knowledge.
Wendy C. Ortiz on being a writer living in Hollywood who struggles with economic pressures, addiction, shame, and sexuality.
Mark Ribowksy's new biography of Otis Redding aims to illuminate Redding's previously untraced steps, undissected songs, and unexplained tortured soul.
Ask a person on the street about William Goyen, and you're likely to get a blank stare. Ask a writer, and you'll see a slow change come over her face …
Michel Kwass on the populist history of smuggling contraband goods - tobacco and calico - in France before the French Revolution.
Two new collections of African SF by Dilman Dila show us life in the postcolony.
"H Is for Hawk" deals with falconry, human interactions with "the wild," personal loss, and grief.
Neda Semnani reviews a debut mystery novel about life's big firsts by Ruth Ware.
Kawashima Yoshiko was a cross-dressing Japanese spy who commanded her own army.
Lispector deftly navigates the paradoxical interior landscape common to all women sorting through questions of societal expectation and identity.