Myths as Mitochondria
One of the most refreshing things about Reed's world is that it is true speculative fiction.
One of the most refreshing things about Reed's world is that it is true speculative fiction.
As ever, the river. In Green's poetry the river is a marker of continuity.
Fishman returns to the question of generational transmission he so provocatively pried open in "A Replacement Life."
What we do with dead bodies matters.
The history of American racial health "disparities" between whites and blacks begins with some of the former forcing some of the latter onto slave ships.
The logic of marriage equality carries with it a damaged history of racial and sexual exclusion that the marriage movement ignores at its peril.
"The Grace of Kings" is novel about a nation experiencing revolution as it transitions from one form of empire to another.
"Fighting God" is not a polemic crafted to turn the faithful into nonbelievers, but a secular activist's manual.
A history of insurrectionary episodes by Eric Hazan.
A writer's best work tends to acknowledge early obsessions, especially the conflicted ones.
Two new books suggest that if this turns out to be a new era in the humanities, it won't be for the reasons we've suspected.
In "West of Eden," LA's notable families spin fictions of happy family life, while the reality is generations of trustafarians raised by distracted wolves.
Sanders's first contribution was to see Manson as an individual — not a symbol.
A new ghost story by Gene Wolfe.
"The Wake," Paul Kingsnorth's deliriously experimental imagining of the Norman Conquest as both natural and cultural apocalypse, is like Buccmaster's fens.
Diana Wagman reviews Gloria Norris's "KooKooLand: A Memoir," about the strange and awful ways of love.