Patient Atavism
Throughout Tessa Hadley's "The Past," there remains a seemingly impassable distance between the world of women and the world of men.
Throughout Tessa Hadley's "The Past," there remains a seemingly impassable distance between the world of women and the world of men.
Matt Ruff's new novel, "Lovecraft Country," is set in Jim Crow America, long after Lovecraft's death in 1937.
David Huddle has a new poetry collection, his 19th book: "Dream Sender."
Mahmoud Saeed's "A Portal in Space" recalls an Iraq of moderate religious life, rule of law, and middle-class aspiration.
On Stephen King's most recent work, "The Bazaar of Bad Dreams: Stories."
"Sinatra's Century" offers multiple views of a subject that fascinates its author.
Each piece in "A Collapse of Horses" stands alone as a tale that combines "literary" and "horror" elements in novel ways that blur genre distinctions.
Jérémie Guez's "Eyes Full of Empty" is worth a read, for the acutely drawn window it provides on the contemporary metropolitan French experience.
In Susan Howe's work, poetry and prose are often impossible to disentangle.
One of the important additions "Woody Guthrie L.A." makes is a grappling, in a couple of chapters, with Woody’s initial embrace of white supremacy.
In the 21st century are we the sick, or are they us?
Is AI a threat to humankind?
This renewed sense of what horror fiction can do will resonate deeply for readers who find themselves overwhelmed by the increasingly prominent and disturbing images of the real world.
Not just another dark Hollywood satire: Aris Janigian and his "Waiting for Lipchitz at Chateau Marmont."
Sigal Samuel keeps us guessing in her first novel.
Of course, old Istanbul was no bed of roses.