The Slow, Anguished Death of the Cyberspace Cowboy
"Tomorrow and Tomorrow" operates at a heightened sense of melancholia, a lament of the ends to which cyberspace has been employed.
"Tomorrow and Tomorrow" operates at a heightened sense of melancholia, a lament of the ends to which cyberspace has been employed.
Memories of the Soviet Union haunt Ukrainian author Serhiy Zhadan's recently translated novel, "Voroshilovgrad."
Elena Avanzas Álvarez discusses Megan Miranda’s refreshing take on contemporary crime fiction in “All The Missing Girls.”
Nayomi Munaweera has written a second novel of real power and grace, says Melissa Sipin.
In his latest book, Renaissance scholar Stephen Orgel investigates what notes in the margins of books tell us about early modern existence.
A new translation of early lectures by Derrida on Heidegger questions a tradition that we can conveniently sum up with the word: metaphysics.
A look at the Americans who fought in the Spanish Civil War.
A new translation of the poetry of Alejandra Pizarnik introduces Anglophone audiences to the influential Argentine’s work.
A review of a collection of Noam Chomsky’s lectures on language.
Steve Hamilton buys back his own rights for a quarter million dollars.
Amalia Negreponti reviews Graham Swift’s “Mothering Sunday: A Romance,” a book on love, lust, and power.
Each Julie Doucet collection is full of surprises, reflecting the artist’s investment in materiality and language. "Carpet Sweeper Tales" is no different.
Here is your deranged consciousness.
Jennifer R. Bernstein mourns Dr. Paul Kalanithi.
"I’m Thinking of Ending Things" is a reminder of how it felt to be scared as a child.
Garrard Conley widens the scope of queer literature with his memoir about growing up in a devout Baptist home and surviving conversion therapy.