Home to Humanity: Linda Gregerson’s “Prodigal: New and Selected Poems, 1976–2014”
Emilia Phillips on Linda Gregerson’s “Prodigal: New and Selected Poems, 1976–2014”.
Emilia Phillips on Linda Gregerson’s “Prodigal: New and Selected Poems, 1976–2014”.
Lisa Russ Spaar on "The Woman Who Died in Her Sleep" and "Hundred-Year Wave".
Bashaun Brown and Caleb Smith discuss Austin Reed's recently rediscovered memoir, "The Life and the Adventures of a Haunted Convict".
Amy Knisley on "A Field Philosopher's Guide to Fracking" by Adam Briggle.
John T. McGreevy on "The Origins of American Religious Nationalism" by Sam Haselby.
Betsy Lerner and Bridge send Karen Karbo to the fridge.
David McGlynn on “The Hero’s Body” by William Giraldi.
“Rule of Capture” presents a biting commentary on the uneasy truce between Latino L.A. and the city’s entrenched political, cultural, and economic elites.
Karen Brissette reviews “Good as Gone” by Amy Gentry.
Sean McCann on Arlie Russell Hochschild's “Strangers in Their Own Land: Anger and Mourning on the American Right”.
Robin Wasserman's "Girls on Fire" is a mystery and a tangled love triangle and a ruthless thriller, and it’s satisfying and troubling on all these levels.
Rayyan Al-Shawaf reviews Jessica Valenti’s memoir “Sex Object”.
Derrick Harriell on Chinaka Hodge's "Dated Emcees".
"What does it mean to be a mentally ill artist?" Lauren O'Neal on Ricardo Cavolo and Scott McClanahan's "The Incantations of Daniel Johnston".
“A Seventh Man” documents the daily lives of migrant workers in the industrial north of Europe.
Anita Felicelli on Nicola Barker's "The Cauliflower".