Songs of Innocence and Experience: Mark Greif’s “Against Everything”
Timothy Aubry on Mark Greif's "Against Everything."
Timothy Aubry on Mark Greif's "Against Everything."
Stephanie Burt considers “Four Reincarnations” by Max Ritvo and “Adult Swim” by Heather Hartley.
Charles Hatfield ventures into "Hellboy's World" by Scott Bukatman
Donal Harris reviews Wendy Griswold’s “American Guides: The Federal Writers’ Project and the Casting of American Culture.”
The experience of reading Indra Das’s “The Devourers” novel is like watching a surrealist film: it is poetic, playful, and at times miraculous.
Angela Woodward investigates “Raymond Chandler: The Detections of Totality” by Fredric Jameson.
Tom Kohut appreciates “The Chaplin Machine” by Owen Hatherley, which offers a reevaluation of the Soviet avant-garde.
Antonio Cerella sheds light on "Pyropolitics" by Michael Marder.
Have you really read "Alice in Wonderland" until you've read it in Esperanto? Rebecca L. Walkowitz finds out in her review of "Alice in a World of Wonders."
Brooke Obie reviews Sil Lai Abrams’s new memoir “Black Lotus: A Woman’s Search for Racial Identity.”
What can a biographer do when their subject is elusive? John T. Scott finds out in his review of Catherine Fletcher's "The Black Prince of Florence."
Angela Morales shows Alex Espinoza the light.
Marijeta Bozovic examines “The Big Green Tent,” a sprawling elegiac novel by Ludmila Ulitskaya, and finds hope in the younger generation of Russian poets.
In "Orwell's Nose," John Sutherland captures Orwell's essence in a brief 240 pages better than most biographers do in 600. But is it enough?
How should you write a novel? David Francis looks to Alice Mattison's "The Kite and the String" to find out.
Peggy Orenstein’s new book "Girls & Sex: Navigating the Complicated New Landscape" realistically describes teenage sexuality in America today.