Lust, Blood, and Survival in a New World: On Janet Fitch’s “The Revolution of Marina M.”
Ani Kokobobo is captivated by “The Revolution of Marina M.” by Janet Fitch.
Ani Kokobobo is captivated by “The Revolution of Marina M.” by Janet Fitch.
Nicola Waldron reviews Mary Oliver's "Upstream: Selected Essays."
A new moral philosophy for the era of globalization.
Jennifer Peterson on books by Paul Kingsnorth and Timothy Morton.
Lara Schoorl appreciates “Glenn Gould’s Chair,” a new collection of poems by Mandy Kahn.
Lauren Kinney communes with “The Disintegrations,” Alistair McCartney novel about death.
On “The Last Kid Left” by Rosecrans Baldwin.
Howard J. Curzer reviews Martha C. Nussbaum's "Anger and Forgiveness: Resentment, Generosity, Justice."
A review of Martha C. Nussbaum and Saul Levmore’s “Aging Thoughtfully.”
Amy Wilentz on a new oral history of Port-au-Prince.
Martin Woessner considers “Why Only Art Can Save Us” by Santiago Zabala.
On Hari Alluri's "The Flayed City."
Colin Beineke reviews several new horror comics, including "The Showdown Volume 2," "H. P. Lovecraft’s The Hound and Other Stories," and "Laid Waste."
Melvin Konner explores “The Celebration of Death in Contemporary Culture” by Dina Khapaeva.
Nathan Jefferson on “Bluebird, Bluebird” by Attica Locke.
Anthony Mostrom breezes through “Everybody Had an Ocean: Music and Mayhem in 1960s Los Angeles” by William McKeen.