Are We the Butterfly or the Tornado?: Joan Silber’s “Improvement”
Tara Ison finds Joan Silber’s latest novel “Improvement” an astute, lyrical portrait of characters linked by their limits and their truths.
Tara Ison finds Joan Silber’s latest novel “Improvement” an astute, lyrical portrait of characters linked by their limits and their truths.
Matthew Specktor reviews Matthew Weiner's debut novel, "Heather, the Totality."
Azarin Sadegh reviews Annie Ernaux's memoir, recently translated by Alison L. Strayer.
Michael Valinsky reviews Andrea Lawlor's new novel.
A new anthology doesn’t quite explain Trump’s rise, but it does shed light on a persistent American problem.
Paul Delany on Nobel laureate Svetlana Alexievich and the legacies of war.
John W. W. Zeiser reviews Peter Bagge's graphic biography "Fire!! The Zora Neale Hurston Story."
The Walkman revolutionized music listening, creating personal experiences in public spaces.
Darryl Holter reflects on “Grown-Up Anger” by Daniel Wolff.
Why is Russia so eager to meddle in Ukrainian affairs? Because they see it as the true birthplace of Russia.
Isaac Nowell reviews Michael Longley’s “Angel Hill.”
Morgan Woolsey wrangles with the political potential of queer singing in Julia Balén’s “A Queerly Joyful Noise: Choral Musicking for Social Justice.”
Matthew Hunter reviews Jeff Dolven’s “Senses of Style: Poetry before Interpretation.”
One surefire way to ruin a poem is to let a philosopher interpret it. Happily, however, Kevin Hart the philosopher-poet is an exception.
Lisa Fetchko reviews David Biespiel’s memoir about his coming to consciousness as a poet.
Thomas J. Millay reviews John Banville's "Mrs. Osmond," his continuation of "The Portrait of a Lady."