The Shifting Horizon of Masculinity in Jamel Brinkley’s “A Lucky Man”
Brinkley offers visions of manhood and masculinity with a humane imagination for what characters miss, what they mean to say, what they might have done.
Brinkley offers visions of manhood and masculinity with a humane imagination for what characters miss, what they mean to say, what they might have done.
Nandini Balial reviews new short story collections from Nick White and Lydia Millet.
Dan Lopez on the central concern of Rebecca Makkai’s “The Great Believers,” arguing for the urgency of the history for those marginalized in their time.
James O’Sullivan reviews collections by Roisin Kelly, Annemarie Ní Churreáin, and Elaine Cosgrove.
A new, in-depth history of the Syrian Civil War puts a human face on an intractable conflict.
A new memoir from a celebrated California novelist.
"Gay’s stories about the 'first free black nation' are written with unapologetic realness. Her characters sat beside me, close enough to touch."
Benjamin S. Bernard and Colton Valentine on “Qui a tué mon père” (Who Killed My Father), a novel by French author and public intellectual Édouard Louis.
A new book on Latin American corruption shows that the death squads of the 1980s never really died.
Joseph Tanke reviews “Confessions of the Flesh” by Michel Foucault, unearthing the famous thinker’s later ideas.
Does Alain Corbin's "A History of Silence" help us, as the author hopes, relearn how to be silent?
R. O. Kwon’s debut cannily blurs the line between campus novel and cult lit.
Adrian Van Young reviews “A Necessary Evil” by Abir Mukherjee.
Sarah Boon looks at “Sexism Ed,” a new collection of essays from Kelly J. Baker that looks at how gender discrimination impacts women’s lives in academia.
Pain is both enemy and idol in Michael Downs’s “The Strange and True Tale of Horace Wells, Surgeon Dentist.”
"Eisenhower vs. Warren" is a well-paced, balanced account of two remarkable men.