Temptation and Trickery: Dirty Double-Dealing in “Orchid & the Wasp”
Yoona Lee reviews Caoilinn Hughes's debut novel, "Orchid & the Wasp."
Yoona Lee reviews Caoilinn Hughes's debut novel, "Orchid & the Wasp."
How tagged databases can fruitfully inform literary research.
Lauren Sarazen finds Laura van den Berg’s powerful, atmospheric “The Third Hotel” a haunting descent into grief and the mysteries we can’t quite solve.
With “Summer,” the conclusion to his Seasons quartet, Norwegian maestro Karl Ove Knausgaard provides a master class in creating reader-writer intimacy.
Will Brewbaker is transfixed by “Southern Tongues Leave Us Shining,” the latest collection from poet Mark Wagenaar.
In “Taking Back Philosophy: A Multicultural Manifesto,” Bryan W. Van Norden calls on philosophers to expand their intellectual horizons.
Aaron Winslow reviews the collection "Russian Cosmism," edited by Boris Groys.
Hillary Chute's "Why Comics?" provide a counternarrative to the corporate history of mainstream comics.
Anne Tyler’s “Clock Dance” explores a woman’s desperate desire to remain useful, even indispensable, as she ages.
The art and science of understanding an Old Master.
Terence Renaud explores the historical context of “Assembly,” a book on new left theory by Antonio Negri and Michael Hardt.
Bob Egelko reviews Richard L. Hasen's "The Justice of Contradictions: Antonin Scalia and the Politics of Disruption."
Jake Fuchs reviews “The Politics of Parody,” a literary analysis of British satirical prints by David Francis Taylor.
Christine Wertheim takes the measure of “The Birth of Physics” by Michel Serres, translated from the French by David Webb and William James Ross.
Suzanne Koven applies a clinical lens to “Sick: A Memoir” by Porochista Khakpour.
Margarita García Robayo’s prose is concise and startling, her voice versatile and capable of packing a serious punch.