We Killed the Right Animal
Nate Rogers revisits Larry McMurtry’s barn burner “Lonesome Dove,” which turned 40 this year and is experiencing a renaissance.
Nate Rogers revisits Larry McMurtry’s barn burner “Lonesome Dove,” which turned 40 this year and is experiencing a renaissance.
Cory Bradshaw describes the art and agony involved in making amateur porn in an essay for LARB Quarterly no. 45: “Submission.”
The LARB Quarterly no. 45, “Submission,” presents a new poem by Harryette Mullen.
The LARB Quarterly no. 45, “Submission,” presents a new poem by Sawako Nakayasu.
The LARB Quarterly no. 45, “Submission,” presents a new poem by Caitlyn Klum.
James Chandler considers what Roland Barthes’s famous essay about wrestling can tell us about reality and shared illusion in Donald Trump’s Washington.
The LARB Quarterly no. 45, “Submission,” presents a new poem by John James.
The LARB Quarterly no. 45, “Submission,” presents a new poem by Paula Bohince.
The LARB Quarterly no. 45, “Submission,” presents two new poems by Farnoosh Fathi.
In the ninth essay in the Legacies of Eugenics series, Oliver Rollins explores how the new biology of crime opens a backdoor to eugenics.
Charley Burlock interrogates the myths surrounding wildfires, grief, and California's supposed “gasoline trees” in an essay from LARB Quarterly no. 45: “Submission.”
Jack Lubin considers state censorship and New Orleans rapper B.G.’s album “Freedom of Speech,” in a preview of LARB Quarterly no. 45: “Submission.”
Dan O’Sullivan traces the legacy of right-wing ideologies in California.
Yousef Srour traces the abstraction of death in post-9/11 America.
Mary Turfah writes on Iran.
Emmeline Clein finds pockets of faith in feminist writer Shulamith Firestone's ostensibly airless spaces in an essay from LARB Quarterly no. 45: “Submission.”