We Don’t Have Any Reserves
Adam Morgan writes on the impact of Trump’s coup at the NEA for small publishers and literary magazines.
Adam Morgan writes on the impact of Trump’s coup at the NEA for small publishers and literary magazines.
Michael Berry sees warning signs of the creep of AI into education and translation work.
Travis Alexander considers what Billy Wilder’s “Double Indemnity” can teach us about Luigi Mangione and the insurance crisis.
Dr. Norrell Edwards considers the Trump administration’s termination of National Endowment for the Humanities grants.
Victoria Horrocks re-remembers Vanessa Bell.
In a preview from LARB Quarterly no. 44, “Pressure,” Sophia Stewart explores the poetry and politics of Julia de Burgos.
In the eighth essay of the Legacies of Eugenics series, Pepper Stetler explores the troubling history of IQ tests and special education.
Nathan Wainstein reexamines Naughty Dog’s 2020 game “The Last of Us Part II.”
James Chandler argues that claims of combating antisemitism are a bogus rationale for the Trump administration’s ongoing assault on universities, from 2017 to the present.
Tim Brinkhof considers the relevance of Stefan Zweig’s 1942 autobiography for our own authoritarian times.
Jackie Snow reflects on what working for a books-to-prisons nonprofit has taught her about reading.
Alix Ohlin revisits Kazuo Ishiguro’s novel “Never Let Me Go” on the occasion of its 20th anniversary.
In a preview from LARB Quarterly no. 44, “Pressure,” Dorie Chevlen learns how to crash someone else’s car.
In this new installment of an ongoing series, LARB founder Tom Lutz reflects on the “King of the Greenwich Village Bohemians,” Maxwell Bodenheim, and the significance of the year 1925.
Marat Grinberg considers Stanisław Lem as a Jewish writer.
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Jorrell Watkins.