On Translation Fiction and the Comfort of Monolingualism
Marie Lambert analyzes recent works of fiction that feature translators as protagonists, and the questions they raise about cross-cultural communication in a heterogeneous world.
Marie Lambert analyzes recent works of fiction that feature translators as protagonists, and the questions they raise about cross-cultural communication in a heterogeneous world.
Matthew Cobb reports from the Spirit of Asilomar, an event celebrating the 50th anniversary of the legendary biotechnology conference.
Dashiel Carrera considers Han Kang, sleep, and the Velvet Underground.
David M. Smith examines the career of the great Norwegian novelist Dag Solstad, and the gaps in English translation of his work.
Mary Turfah writes on Gaza and the limits of the war photograph, in an essay from the upcoming issue of LARB Quarterly, no. 46: “Alien.”
Ben Arthur revisits a transformative moment in American culture through the lens of J. Hoberman’s “Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop.”
Michael Kobre considers the Fantastic Four superhero “The Thing” and Jack Kirby’s relationship to his own Judaism.
Soraya Sebghati outlines a canon of 21st-century Iranian film.
Kevin Koczwara reminisces on Jim Carrey’s film oeuvre, from “Ace Ventura” and “Man on the Moon” to “Sonic the Hedgehog 3.”
In the second installment of a quarterly series, Brendan Boyle and Adam Nayman consider the cinema of the Biden years.
Dan Nadel on the work of legendary underground cartoonist, artist, and sculptor Michael McMillan.
Ethan Warren argues that Jamie Lloyd’s “Sunset Boulevard” revival strips away theatrical excess.
Alexander Chee writes the second installment of the column I Come Here Often, from LARB Quarterly no. 45: “Submission.”
Bad days are made better by masquerading as a carefree hotel guest in Koreatown.
In her first work of memoir, acclaimed author Arundhati Roy recounts her remarkable life, tracing in particular her complicated relationship to her mother Mary. Vulnerable, compassionate, and sagacious at once, the LARB Book Club Fall 2025 pick is “Mother Mary Comes to Me” by Arundhati Roy.
Erin Taylor writes about a reclusive Hollywood couple in a short story from LARB Quarterly no. 45: “Submission.”