Tom Hayden According to the Enemy
M. Delmonico Connolly considers the FBI file on 1960s icon Thomas Hayden.
M. Delmonico Connolly considers the FBI file on 1960s icon Thomas Hayden.
Erik Morse provides three flashes of the late cinematic icon Monica Vitti.
Bernabé S. Mendoza reviews a collection of SF stories that includes work by Nnedi Okorafor, Nisi Shawl, and Victor LaValle.
Dante A. Ciampaglia looks back over the long career of avant-garde film pioneer Jonas Mekas.
Following the 80th anniversary of Executive Order 9066, Erin Aoyama reflects on the uses of Japanese American memory work.
Robert Cremins remembers the “tattered humanism” of the fine, now sadly neglected, English novelist Angus Wilson.
Dick Cluster profiles the Los Angeles–born, Texas-based small-press poet and publisher Edward Vidaurre.
Daniel Polansky reviews “Me, Detective,” Leslie T. White’s memoir of his experiences in the LAPD that served as inspiration for Raymond Chandler’s Marlowe.
Samuel Clowes Huneke reviews “Munich: The Edge of War” by placing it in its proper historical-cultural context.
The changing, rippling, contentious American flag.
Antonio J. Ferraro responds to Richard Joseph on the state of contemporary literary criticism, online and elsewhere.
Poet David Mason reflects on a lifetime of teaching literature as performance.
Zabe Bent calls out white people’s languid social commitments in the face of police killings of Black people.
Dan O’Brien talks with Paul Watson, a prize-winning war reporter, about Afghanistan, Ukraine, and why most journalism is bullshit.
Grant Wythoff surveys recent books by Tade Thompson, Becky Chambers, and Arkady Martine that could be called space operas.
Dane Reighard considers how del Toro adapted a 1946 noir and, in the process, uncovered its contemporary resonances.