No Fap: A Cultural History of Anti-Masturbation
Aya Labanieh analyzes the history of the anti-masturbation NoFap movement, which has historical roots far beyond contemporary internet culture.
Aya Labanieh analyzes the history of the anti-masturbation NoFap movement, which has historical roots far beyond contemporary internet culture.
In a preview of the new LARB Quarterly, no. 39: “Air,” Dan O’Brien finds symbols of life and faith in the theater.
In a preview of the new LARB Quarterly, no. 39: “Air,” Corina Zappia considers the state of travel for single women.
Hilary Plum situates Dan Sinykin’s “Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature” among the ecosystem of small presses in the literary world.
In a preview of LARB Quarterly no. 39: “Air,” Matthew Mullins explores exvangelical indie rock and reevaluates his own identity within the American evangelical movement.
Arundhati Roy accepts the Charles Veillon Foundation’s 45th European Essay Prize for lifetime achievement.
Anne Anlin Cheng recalls her first, foreign Barbie experience.
In a preview of the new LARB Quarterly, no. 39: “Air,” Meghan Racklin considers the life and imperfectly rendered image of Empress Elisabeth of Austria.
Jason Namey takes another look at the Coen brothers’ “The Big Lebowski” for its 25th anniversary.
Rani Neutill explores the ways Jhumpa Lahiri’s fiction engages with the legacies of colonialism and the pressures of assimilationism.
Alessandro Camon discusses the role storytelling played in the success of the WGA/SAG-AFTRA strike in Hollywood.
Noah Sparkes writes about Valdimir Arsenyev’s “Dersu Uzala” trilogy.
In a preview of the new LARB Quarterly, no. 39: “Air,” Nicholas Shapiro, Kate McInerny, Matyos Kidane, and Jacobo Pereira-Pacheco discuss the effects and racialized nature of police-helicopter monitoring and the noise pollution these machines produce.
Amidst a new wave of conservative panic about child trafficking, Evan McGarvey revisits Ben Affleck’s “Gone Baby Gone.”
Eliana Rozinov examines the figure of Midge as a mythical phenomenon, a pregnant doll, and a variation of the “promising young woman” trope.
Chandler Dandridge takes a tour of Manchester with Andy Spinoza, author of “Manchester Unspun: Pop, Property, and Power in the Original Modern City.”