Still Got It
Zach Gibson meditates on “late style” in the work of postmodernists like Thomas Pynchon who are still publishing well into their eighties.
Zach Gibson meditates on “late style” in the work of postmodernists like Thomas Pynchon who are still publishing well into their eighties.
Emmett Rensin writes on eco-grief, the climate dirge, and one Armenian monk in a new hybrid fiction-cum-essay from LARB Quarterly no. 47, “Security.”
Calvin Gimpelevich writes on the history and politics of public bathrooms, in this essay from LARB Quarterly no. 47, “Security.”
Alix Christie considers Susan Straight’s challenging yet crucial portraits of an “overlooked” California.
Aaron Boehmer writes about community libraries and the importance of accessible archival and literary resources in these times.
Johanna Drucker responds to Victoria Dailey’s review of the catalogue raisonné “Paul Landacre: California Hills, Hollywood, and the World Beyond.”
“People of the World: Relax!” is excerpted from “The Complete C Comics,” a collection of Joe Brainard’s innovative work, and featured in LARB Quarterly no. 47: “Security.”
Martin Wong catches up with SoCal punk band Emily’s Sassy Lime upon their reunion for the California Biennial.
Alexis Clements uses Alison Bechdel’s new graphic novel “Spent” to meditate on the predicament of the creative artist today.
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Hannah Smart writes about her attempt to diagram a 900-word sentence in David Foster Wallace’s “Mister Squishy,” and what the efforts taught her about human inertia and meaningless language.
Grant Sharples offers a personal account of the Boss’s career and legacy in light of the new biopic “Springsteen: Deliver Me from Nowhere.”
Nevin Kallepalli investigates political resentment in rural California, in an essay from LARB Quarterly no. 47: “Security.”
Aniko Bodroghkozy considers recent books on the 2017 Charlottesville attack as a watershed moment in contemporary neo-Nazism.
Lana Lin dissects the literary and bodily significance of the appendix.
Rachele Dini discusses OpenAI’s “A Machine-Shaped Hand” and an academic sector in crisis.