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Refuge, Possibility, and Black Place: On Ayana Mathis’s “The Unsettled”
J. T. Roane considers Ayana Mathis’s “The Unsettled.”
Archive
Glass House Is a Smash
Jack Skelley has no stones to throw at “Glass House,” a new intermedia performance organized by Volta Collective and Central Server Works.
Tana French’s “The Hunter”
Medaya Ocher and Eric Newman speak with megawatt mystery maven Tana French about her latest novel, “The Hunter.”
The Drawers Keep Popping Open: On Sloane Crosley’s “Grief Is for People”
Tahneer Oksman reviews Sloane Crosley’s “Grief Is for People.”
Prince Gautama’s Countless Faces: On Philip C. Almond’s “The Buddha”
David E. Cooper reviews Philip C. Almond’s “The Buddha: Life and Afterlife Between East and West.”
A Secret and Threatening Reality: On Liliana Colanzi’s “You Glow in the Dark”
Drew Zeiba reviews Liliana Colanzi’s “You Glow in the Dark.”
The Contours of Negative Space: On Tessa Hulls’s “Feeding Ghosts”
Martin Dolan reviews Tessa Hulls’s “Feeding Ghosts.”
A Palestinian Valentine from the Future: On Fady Joudah’s “[…]”
Rosalie Moffett reviews “[…]” by Fady Joudah.
No More Hunger and Thirst? On Barbra Streisand’s “My Name Is Barbra”
Dolores McElroy reviews Barbra Streisand’s memoir “My Name Is Barbra.”
The Pulsing Innards of Jack Skelley
Emily Ann Zisko faces her complete fear of Jack Skelley’s “Fear of Kathy Acker,” adapted for the Santa Monica stage by Siena Foster-Soltis.
LARB Radio Hour x Film Comment 2024 Oscars Preview
In this special episode, Eric Newman chats with LARB Film & TV editor Annie Berke and Film Comment co-editors Devika Girish and Clinton Krute for a preview of this year’s Academy Awards.
It Takes an Audience: On Jessi Jezewska Stevens’s “Ghost Pains”
Charlie Hope-D’Anieri reviews Jessi Jezewska Stevens’s “Ghost Pains.”
Differentially Unwell: On Mimi Khúc’s “dear elia”
Seo-Young Chu reviews Mimi Khúc’s “dear elia: Letters from the Asian American Abyss.”
20,000 Leagues Under the OC
LARB copydesk chief A. J. Ur-squid-i asks, “What’s Kraken?” at Squid’s Leap Day show at the Orange County Observatory.
The Lord of Auschwitz Asks to See a Priest: On James Bernauer’s “Auschwitz & Absolution”
Jack Miles reviews James Bernauer’s “Auschwitz & Absolution: The Case of the Commandant and the Confessor” in light of the new film “The Zone of Interest.”
Viewing the Ob-scene: On Jonathan Glazer’s “The Zone of Interest”
David Hering reviews Jonathan Glazer’s film “The Zone of Interest.”
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