The Real Unrealists: On Andrey Platonov’s “Chevengur”
Josh Billings reviews the new translation of Russian author Andrey Platonov’s classic novel “Chevengur.”
Josh Billings reviews the new translation of Russian author Andrey Platonov’s classic novel “Chevengur.”
Adam Sobsey reviews “Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials,” a collection from the works of novelist and essayist W. G. Sebald.
Yael Friedman speaks with Wim Wenders and provides a review of his work with sculptor Anselm Kiefer in the wake of Wenders’s new documentary, “Anselm.”
Jamie Peck on what happens when bicoastal feminist DIYers use one another as exercise equipment during a punk show.
Jenna N. Hanchey reviews Tlotlo Tsamaase’s “Womb City.”
Elizabeth L. Silver discusses four important court cases that have defined the landscape of women’s rights in the United States.
Paul Vangelisti considers Susan Thackrey’s “Farther,” Joel Chace’s “Maths,” and Claire DeVoogd’s “Via.”
Sarah Yanni talks with Natasha Stagg about her new book, “Artless: Stories 2019–2023.”
Isabella Trimboli reviews a new translation of Marguerite Duras’s work on cinema.
Jason Christian visits George Orwell’s birthplace in India.
Lori Marso looks at “Priscilla” within Sofia Coppola’s white girl oeuvre.
Crispin Sartwell argues that the Occupy leader seemed to be moving from anarchism to liberalism before his death.
Ever wondered where Charles Bukowski would take a travel companion of his choice in California? Well, wonder no longer.
Danielle Monique decided not to go to Jamaica, but found herself at the beach anyway (and without even having to go to the Westside).
The philosopher Kohei Saito speaks to Eric Newman and Kate Wolf about his book “Slow Down: The Degrowth Manifesto.”
T. M. Brown reviews Kyle Chayka’s “Filterworld: How Algorithms Flattened Culture.”