No More Hunger and Thirst? On Barbra Streisand’s “My Name Is Barbra”
Dolores McElroy reviews Barbra Streisand’s memoir “My Name Is Barbra.”
Dolores McElroy reviews Barbra Streisand’s memoir “My Name Is Barbra.”
Emily Ann Zisko faces her complete fear of Jack Skelley’s “Fear of Kathy Acker,” adapted for the Santa Monica stage by Siena Foster-Soltis.
In this special episode, Eric Newman chats with LARB Film & TV editor Annie Berke and Film Comment co-editors Devika Girish and Clinton Krute for a preview of this year’s Academy Awards.
Charlie Hope-D’Anieri reviews Jessi Jezewska Stevens’s “Ghost Pains.”
Seo-Young Chu reviews Mimi Khúc’s “dear elia: Letters from the Asian American Abyss.”
LARB copydesk chief A. J. Ur-squid-i asks, “What’s Kraken?” at Squid’s Leap Day show at the Orange County Observatory.
Jack Miles reviews James Bernauer’s “Auschwitz & Absolution: The Case of the Commandant and the Confessor” in light of the new film “The Zone of Interest.”
David Hering reviews Jonathan Glazer’s film “The Zone of Interest.”
Lisa Locascio Nighthawk reviews Leslie Jamison’s “Splinters: Another Kind of Love Story.”
Stephen Patrick Bell interviews Édouard Louis about his new book “Change.”
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art.
Noah Sparkes reviews Amitav Ghosh’s “Smoke and Ashes: Opium’s Hidden Histories.”
Michael Scott Moore writes on the life, death, and possible religion of Lou Reed, via Lou Reed’s “The Art of the Straight Line: My Tai Chi” and Will Hermes’s “Lou Reed: The King of New York.”
Leslie Jamison joins Medaya and Kate to discuss her latest book “Splinters: Another Kind of Love Story,” a memoir that chronicles the birth of her daughter and the collapse of her marriage soon after.
Jenny Wu reviews Tiffany Sia’s “On and Off-Screen Imaginaries.”
David N. Myers reviews Nathan Thrall’s “A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy” and Mikhael Manekin’s “End of Days: Ethics, Tradition, and Power in Israel.”