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So You Believe in Intergenerational Trauma? A Conversation with Katya Apekina
Sasha Vasilyuk interviews Katya Apekina about her second novel, “Mother Doll.”
Archive
The Genesis of Grace: On Marilynne Robinson's “Reading Genesis”
Brad East reviews Marilynne Robinson’s “Reading Genesis.”
Fading Memories: On Sly Stone’s “Thank You (Falettinme Be Mice Elf Agin)”
Matthew Ritchie reviews Sly Stone’s “Thank Ya (Falettinme Be Mice Elf Agin).”
The Past Is Present: A Conversation with Tracy Fuad
Meg Miller interviews Tracy Fuad about “Portal.”
Become Death: On Christopher Nolan's “Oppenheimer”
Paul Thompson considers Chris Nolan’s “Oppenheimer” and the atomic bomb on-screen.
A Cinematographer’s Lens: On This Year’s Oscar Nominees
Cinematographer Michael M. Pessah surveys this year’s Oscar nominees in the category and considers the state of the art.
Carol Cheh on Daniel J. Martinez
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art. 1:1 is organized and edited by Annie Buckley.
Black Artists and the Logic of the Market: On Cord Jefferson’s “American Fiction”
Eskor David Johnson reviews Cord Jefferson’s film “American Fiction.”
Refuge, Possibility, and Black Place: On Ayana Mathis’s “The Unsettled”
J. T. Roane considers Ayana Mathis’s “The Unsettled.”
Glass House Is a Smash
Jack Skelley has no stones to throw at “Glass House,” a new intermedia performance organized by Volta Collective and Central Server Works.
Tana French’s “The Hunter”
Medaya Ocher and Eric Newman speak with megawatt mystery maven Tana French about her latest novel, “The Hunter.”
The Drawers Keep Popping Open: On Sloane Crosley’s “Grief Is for People”
Tahneer Oksman reviews Sloane Crosley’s “Grief Is for People.”
Prince Gautama’s Countless Faces: On Philip C. Almond’s “The Buddha”
David E. Cooper reviews Philip C. Almond’s “The Buddha: Life and Afterlife Between East and West.”
A Secret and Threatening Reality: On Liliana Colanzi’s “You Glow in the Dark”
Drew Zeiba reviews Liliana Colanzi’s “You Glow in the Dark.”
The Contours of Negative Space: On Tessa Hulls’s “Feeding Ghosts”
Martin Dolan reviews Tessa Hulls’s “Feeding Ghosts.”
A Palestinian Valentine from the Future: On Fady Joudah’s “[…]”
Rosalie Moffett reviews “[…]” by Fady Joudah.
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