Mothers and Daughters and Sons, Oh My!
Mother’s Day inspires Emily Quintanilla to revisit Azarin Sadegh’s review of “What My Mother and I Don’t Talk About: Fifteen Writers Break the Silence,” a book of reflective essays edited by Michele Filgate.
Mother’s Day inspires Emily Quintanilla to revisit Azarin Sadegh’s review of “What My Mother and I Don’t Talk About: Fifteen Writers Break the Silence,” a book of reflective essays edited by Michele Filgate.
Tiffany Troy interviews poet Morgan Parker about her debut book of essays, “You Get What You Pay For.”
Justin Wigard reviews Stephen Graham Jones’s “The Angel of Indian Lake.”
A. J. Urquidi asks, “Who’s punk? What’s the score?” to a bunch of rad nerds at Cal State Fullerton’s PunkCon 3.
Kate Wolf and Medaya Ocher are joined by writer and publisher Danielle Dutton, author of “Prairie, Dresses, Art, Other” as well as “Margaret the First” and “Sprawl.”
Dylan Adamson positions the discourses around Francis Ford Coppola’s “Megalopolis” within the director’s larger body of work.
Prof. Saree Makdisi diagnoses how the university, the police, and the media have failed our students protesting on behalf of Gazan lives.
In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work.
Kristen Malone Poli examines the true hunger at the heart of the divorce plot.
In an excerpt from LARB Quarterly no. 41, “Truth,” Sam Sax presents lore so uncanny, it might as well be real.
David Lewis reviews the new anthology “Dark Soil: Fictions and Mythographies,” edited by Angie Sijun Lou.
Lucy Hornby discusses two recent biographies about former Chinese leaders Zhou Enlai and Hua Guofeng.
Brandon Sward wades through spectral sports audio in search of that yummy-yum at Paul Pfeiffer’s retrospective at MOCA’s Geffen Contemporary.
James Ciano reviews Catherine Barnett’s “Solutions for the Problem of Bodies in Space.”
In an excerpt from LARB Quarterly no. 41, “Truth,” Peter Holslin reflects on synthesizer drones, inoffensive ambience, and his father’s affinity for New Age soundscapes.
Adam Fleming Petty reviews Lucas Mann’s “Attachments: Essays on Fatherhood and Other Performance,” rooting his analysis in his personal experience.