I Would Like to Know Her: On Cookie Woolner’s “The Famous Lady Lovers”
Leigh-Michil George reviews Cookie Woolner’s “The Famous Lady Lovers: Black Women and Queer Desire Before Stonewall.”
Leigh-Michil George reviews Cookie Woolner’s “The Famous Lady Lovers: Black Women and Queer Desire Before Stonewall.”
Among Hollywood headstones, Dandi Meng tips her cowboy hat to Joanna Newsom’s residency at the Masonic Lodge.
Yogita Goyal explores Arundhati Roy’s wide-ranging nonfiction and unflinching political activism.
Tal Frieden reviews “Against Erasure: A Photographic Memory of Palestine Before the Nakba” by Teresa Aranguren and Sandra Barrilaro.
Matt Hanson reviews Jacob Heilbrunn’s “America Last: The Right’s Century-Long Romance with Foreign Dictators.”
Diana Arterian reviews Alison C. Rollins’s “Black Bell.”
Emmeline Clein reviews Fine Gråbøl’s “What Kingdom.”
Joshua Pearson examines the history of the term “hallucination” in the development and promotion of AI technology.
Miranda July speaks to Kate Wolf about her latest novel, “All Fours.”
Uttaran Das Gupta reviews Shanta Gokhale and Jerry Pinto's anthology “Maya Nagari: Bombay-Mumbai, A City in Stories.”
Matthew Sorrento interviews poet and speculative fiction writer Linda D. Addison.
In light of the cinematic success of Luca Guadagnino’s “Challengers,” Emily Quintanilla revisits the Perlman family in Northern Italy.
Greta Rainbow reviews Alice Rohrwacher’s film “La chimera.”
Andrew Scull critiques the cultural influence of Peter Kramer’s 1993 book “Listening to Prozac.”
Angel #270, Annika Gavlak, attends the “Brat” promo at Brain Dead Studios to find out how Charli XCX is feeling now.
In an excerpt from LARB Quarterly no. 41, “Truth,” Ena Selimović translates Marina Gudelj’s short story … or is it a eulogy?