How Are We Not Talking About This All the Time?
Victoria Sturtevant reviews Pamela Adlon’s new film “Babes.”
Victoria Sturtevant reviews Pamela Adlon’s new film “Babes.”
J. R. Kerr-Ritchie reviews Randy M. Browne’s “The Driver’s Story: Labor and Power in the World of Atlantic Slavery.”
All the other kids with the pumped-up kicks can’t outrun Brittany Menjivar’s excitement at the Foster the People show in West Hollywood.
Paul Allen Anderson reviews Ann Powers’s “Traveling: On the Path of Joni Mitchell.”
Annie Berke considers the figure of the woman writer in the popular TV series “Bridgerton” and “Hacks,” in the latest installment of Screen Shots.
David St. John and Andrea Werblin Reid consider speech acts in their various complexities in two poems from the LARB Quarterly issue no. 42, “Gossip.”
Sheila McClear reviews “Men Have Called Her Crazy,” a supposed tell-all memoir by Anna Marie Tendler.
Ruth Madievsky closes the gate on her college rumor mill in a personal essay from the LARB Quarterly issue no. 42, “Gossip.”
Eric Newman speaks with Eugene Lim about his novel “Fog & Car.”
Nick Owchar reviews Reuben Woolley’s new translation of Andrey Kurkov’s “Jimi Hendrix Live in Lviv.”
Timo Schaefer reviews Mateo Jarquín’s “The Sandinista Revolution: A Global Latin American History.”
Rhian Sasseen depicts the relationship between a lonely man and his phone—one that takes a sudden, surreal turn—in a short story from the LARB Quarterly issue no. 42, “Gossip.”
Tess Pollok interviews Aria Dean about her collection “Bad Infinity,” Afropessimism, police brutality, and Black radical thought, on the one-year anniversary of the book’s release.
Irene Katz Connelly reviews Jo Hamya’s novel “The Hypocrite.”
Raffi Joe Wartanian reviews Nancy Agabian’s “The Fear of Large and Small Nations.”
For James Baldwin’s 100th birthday, Cherith King reflects on the literary giant’s everlasting charm.