The Scar of a Language
Katharina Volckmer reviews Pol Guasch’s “Napalm in the Heart,” translated by Mara Faye Lethem.
Katharina Volckmer reviews Pol Guasch’s “Napalm in the Heart,” translated by Mara Faye Lethem.
In an excerpt from “The Black Utopians,” Aaron Robertson writes on the early years of Albert Cleage Jr. and Detroit’s Black bourgeoisie.
Caroline Reilly discusses how Scandinavian women writers have become known for a more complex kind of crime fiction.
Kate Wolf and Medaya Ocher talk to Emily Witt about her latest book, “Health and Safety: A Breakdown.”
Tom Zoellner searches for solutions to the Democratic Party’s “rural problem.”
Clayton Purdom situates nonfictional works designed “with the intention of upsetting, disturbing, or confusing the audience,” in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Sasha Karsavina examines Mingwei Song’s “Fear of Seeing” and the first two books of Han Song’s “Hospital” trilogy.
Michael Downs reviews Richard Grant’s “A Race to the Bottom of Crazy: Dispatches from Arizona.”
Melissa Seley paints a picture of Alice Neel, through the eyes of Hilton Als, at David Zwirner in Los Angeles.
Carmen E. Lamas reviews Renee Hudson’s “Latinx Revolutionary Horizons: Form and Futurity in the Americas.”
Dennis Wilson Wise reviews two books on Tolkien and the challenges Tolkien studies faces when engaging the wider discipline.
M. Keith Booker reviews “Playground” by Richard Powers.
Kate Durbin interviews Juliet Escoria about her new story collection “You Are the Snake.”
Alessia Degraeve reviews Garth Greenwell’s “Small Rain.”
Will Leitch considers the heartbreak of small-town football in his review of John M. Glionna’s “No Friday Night Lights.”
Elizabeth Alsop investigates how the latest season of “Only Murders in the Building” reveals the pleasures and limits of coziness, in the latest installment of Screen Shots.