A Brand New Beginning: “Austerity Measures: The New Greek Poetry”
Christopher Janigian reviews “Austerity Measures: The New Greek Poetry.”
Christopher Janigian reviews “Austerity Measures: The New Greek Poetry.”
Despite its brevity, Hanne Ørstavik's "Love," effectively rendered into English by Martin Aitken, demands and deserves total concentration.
Dr. Viorica Marian describes the history of African American English, and considers the powerful symbolism of the use of Xhosa in "Black Panther."
On Kathleen Belew's "Bring the War Home: The White Power Movement and Paramilitary America."
How the word “pogrom” became one of the surprisingly few Russian words that have ever made it into English.
Pranab Bardhan suggests a way forward for the global working class.
Sebastian Stockman recounts his harrowing experience as a judge for the National Book Critics Circle John Leonard Award.
On the growing sophistication of YA fiction and its audience.
Lisa Russ Spaar takes a second look at second books by poets Gabriel Fried and Tomás Q. Morín.
Palestine Legal attorney Radhika Sainath responds to “Reply to W. J. T. Mitchell’s ‘The Trolls of Academe’” and LARB's decision to publish the article.
Douglas Smith on “Memory Laws, Memory Wars,” by Nikolay Koposov, which “makes clear the dangers in trying to legislate our understanding of the past.”
Maia Asshaq visits Madeline Kuzak's solo exhibition "Limited Too" at in lieu gallery.
For her latest "Art Inside" essay, Annie Buckley commemorates her late mother, Alice, and the power of art.
Glyn Morgan on Ann Leckie's "Provenance."
Avedon and Baldwin on American mass culture, white supremacy, love, and solidarity.
YA Author Heather Demetrios explores mindfulness for writers.