Each New Day, I Get Another Year Older
In unearthed journals, A. J. Urquidi attends three consecutive shows around L.A. and is, perhaps, still out there now, lost to the gothic night.
In unearthed journals, A. J. Urquidi attends three consecutive shows around L.A. and is, perhaps, still out there now, lost to the gothic night.
Anne Sawyier reviews Hannah McGregor’s new book, “Clever Girl: Jurassic Park” in the context of big tech’s takeover of Hollywood.
Anna Marie Cain interviews Sarah Gerard about “Carrie Carolyn Coco: My Friend, Her Murder, and an Obsession with the Unthinkable.”
Brittany Menjivar connects with nepo baby pyromaniacs and rizzmatic chefs at the second installment of the Honorable Mention screening series.
Mary Turfah examines Israeli officials’ weaponization of language, particularly that of medicine, in an attempt to reframe their genocide in Gaza.
Award-winning director, screenwriter, and producer Patty Jenkins joins the Thomas Mann House for a special episode of 55 Voices.
Bill Thompson reviews Alex Hannaford’s “Lost in Austin: The Evolution of an American City.”
Matthew Ritchie reviews “There’s Always This Year: On Basketball and Ascension” by Hanif Abdurraqib.
Randy Rosenthal reviews Juliet Grames’s new Italian mystery "The Lost Boy of Santa Chionia."
Samuel G. Freedman traces the long and contradictory intellectual journey of the man behind Project 2025.
Katharina Volckmer reviews Pol Guasch’s “Napalm in the Heart,” translated by Mara Faye Lethem.
In an excerpt from “The Black Utopians,” Aaron Robertson writes on the early years of Albert Cleage Jr. and Detroit’s Black bourgeoisie.
Caroline Reilly discusses how Scandinavian women writers have become known for a more complex kind of crime fiction.
Kate Wolf and Medaya Ocher talk to Emily Witt about her latest book, “Health and Safety: A Breakdown.”
Tom Zoellner searches for solutions to the Democratic Party’s “rural problem.”
Clayton Purdom situates nonfictional works designed “with the intention of upsetting, disturbing, or confusing the audience,” in an essay from the LARB Quarterly issue no. 42, “Gossip.”