All of Life Is Creation: Jack Kerouac’s Art
A catalog of oils, watercolors, and pencil sketches by the Beat luminary.
A catalog of oils, watercolors, and pencil sketches by the Beat luminary.
Jessi Jezewska Stevens declares Joshua Cohen’s “ATTENTION: Dispatches from a Land of Distraction” “brilliant, frustrating, searching, and sad.”
Should Donald Trump be impeached? Stephen Rohde reads Cass Sunstein to find out.
Francis Wade speaks to Pankaj Mishra about how the discourse of liberalism and human rights is fatally infected with imperialist histories.
Danielle Drori reflects on her short-lived membership at the women's co-working space and club The Wing, and Nancy Fraser's theory of feminist ambivalences.
Ross Wolfe presents a translation of Ivan Segré’s critical review of “Whites, Jews, and Us” by Houria Bouteldja.
Dinah Lenney journeys through “On Sunset,” a new memoir by Kathryn Harrison.
Jason Barker reviews "A World to Win: The Life and Works of Karl Marx."
Rahuldeep Gill, Professor of Religion at California Lutheran University, writes on fire, guns, and the crisis of our times.
While Cork, Ireland is a city transformed by globalization and gentrification, it's literary figures still reinforce the city's distinct feel.
Patrick Modiano's "Sleep of Memory" manages to attach a feeling not just of unease but of genuine terror to the past.
India’s business class of the future is already displaying some of capitalism’s worst features.
In this monthly series, Melynda Fuller interviews writer and academic Kisha Lewellyn Schlegel about her debut essay collection “Fear Icons.”
An open letter from Antena Los Ángeles to the Library Foundation of Los Angeles protesting the firing of Maureen Moore and Louise Steinman.
Eli Rudavsky reviews the Art Institute of Chicago's recent exhibition, "Never a Lovely So Real."
Sheila Liming reviews Andrew Piper’s “Enumerations: Data and Literary Study.”