Crudo, She Tweeted: Olivia Laing’s “Crudo”
With "Crudo," Olivia Laing appropriates Twitter’s trademark intonation, writing in a flippant voice, concise to the point of discarding most punctuation.
With "Crudo," Olivia Laing appropriates Twitter’s trademark intonation, writing in a flippant voice, concise to the point of discarding most punctuation.
Ayize Jama-Everett interviews Victor LaValle about horror and diversity.
Sylvia Brownrigg revisits the work of Anthony Powell, a Proust of midcentury Britain.
When I was a kid we were forced to read for 15 minutes a day in school...
A literary friendship, scrupulously enshrined.
Two new books examine the consequences of the failed bid for Palestinian statehood.
Chip Rossetti reviews “Baghdad Noir,” edited by Samuel Shimon and featuring writing by Ahmed Saadawi, Ali Bader, and Roy Scranton.
Chris Yogerst reviews Karina Longworth’s "Seduction: Sex, Lies, and Stardom in Howard Hughes’s Hollywood."
"When my safety is at stake, I rely on a more accurate knowing: the intuition born of my trauma. It is enough for me and for most women."
"How can the novel, and in particular the realist novel, deal with an event like the flash crash of 2010 or something like high-frequency trading?"
Ryan Boyd reviews John Warner’s new manifesto for the writing classroom.
Robert Wood interviews Heather Rose, author of "The Museum of Modern Love."
Philip Ó Ceallaigh goes in search of Bruno Schulz 76 years after his murder.
Danielle Charette read-trips through Gary Shteyngart’s “Lake Success” and James and Deborah Fallows’s “Our Towns.”
Joseph Darda on the thinly veiled racial politics of the “blue lives matter” bill.
Jeffrey Lawrence discusses Montgomery’s new Legacy Museum and its radical approach to African-American history.