Why Would You Want to Be German?
A new anthology of essays by new Jewish migrants to Germany teems with an odd feeling: patriotism.
A new anthology of essays by new Jewish migrants to Germany teems with an odd feeling: patriotism.
Melissa Karlin examines the staying power of contemporary art fairs in Los Angeles.
An Israeli author discusses his first novel in English translation, “The Diamond Setter.”
In confronting Primo Levi's writing, in allowing ourselves to be drawn into the horror, we face not the evil that Levi faced, but rather ourselves.
Katrin Schumann and Chip Cheek discuss their books, "The Forgotten Hours" and "Cape May."
Helen Oyeyemi's "Gingerbread" is a Rubik's Cube of a book, with all the frustration and delight that toy entails.
On Saul Williams’s blended family; his love for Ntozake Shange; and his latest project, Neptune Frost, the graphic novel and its musical.
Kelly Peyton interviews Moriah Benton about her anthology project "Queer Babes of Cartoons: A Fanzine."
Marilyn Macron exhumes the dark history of Ernst Haffner’s “Blood Brothers.”
Amit Chaudhuri on literary activism, alternative modernisms, and the comedy of friendship.
Siva Vaidhyanathan's "Antisocial Media" paints a bleak picture of Facebook's impact, but are its policy prescriptions enough?
Mona Kareem meditates on the poetry of Pat Parker, and her longtime friendship with Audre Lord.
Marilyn Macron reviews John Rechy’s "The Miraculous Day of Amalia Gómez" in light of Simone de Beauvoir’s The Woman Destroyed."
Emily LaBarge reviews Esmé Weijun Wang’s “The Collected Schizophrenias.”