The Prophet Is Human
A towering new biography of a great American orator and public intellectual.
A towering new biography of a great American orator and public intellectual.
American “metahistorian” Hayden White disagrees sharply with those who argue that the humanities have no utility: “The humanities are eminently practical and belong to the practical life, by which I mean the ethical life,” he said. “The humanities have a great deal to teach us about the relationship between genius and wisdom.”
An early assessment of the Parkland shooting is too much subject-worship, not enough big picture.
Erik Skindrud compares the political upheaval of Gaius Julius Caesar with the current state of American politics.
A historian writes an early draft version of the opposition to Trump.
Kelly Coyne dissects the queering of language in Juliet Lapidos’s satirical campus novel “Talent.”
"High Flying Bird’s" Lukácsian dramatization of class struggle remains trapped, visually and narratively, in a neoliberal perceptual apparatus.
Temma Ehrenfeld interviews Mark Alpert on his thriller "The Coming Storm."
Kevin O’Rourke on the personal and the political in “Who Killed My Father” by Édouard Louis.
Bob Blaisdell appreciates “Rock, Paper, Scissors: And Other Stories” by Maxim Osipov, translated by Boris Dralyuk, Alex Fleming, and Anne Marie Jackson.
Daniel Medin interviews the Russian author Maxim Osipov, whose English-language debut, “Rock, Paper, Scissors, an Other Stories,” is out with NYRB Classics.
Jessie Chaffee talks to writer Rheea Mukherjee about her new novel, "The Body Myth."
Janine Barchas finds new ways of analyzing the reception of Jane Austen texts through discarded mass-produced editions.
Mark Ellis reviews William A. Schabas's meticulously researched and gripping "The Trial of the Kaiser."
Karen Brissette reviews “The Current” by Tim Johnston.
Fady Joudah reflects on water as substance, poetic subject, and way of life.