A Different Handmaid’s Tale: On Joanne Ramos’s “The Farm”
Joanne Ramos's "The Farm" doesn’t always make it easy to classify who is the oppressed and who is oppressor, and this is one of the book’s strengths.
Joanne Ramos's "The Farm" doesn’t always make it easy to classify who is the oppressed and who is oppressor, and this is one of the book’s strengths.
Nathan McNamara talks with Ebony Flowers about her debut graphic novel "Hot Comb."
In this monthly series, Scott Timberg interviews musicians on the literary work that has inspired and informed their music.
Liesl Olson digs into two new biographies of Ben Hecht by Adina Hoffman and Julien Gorbach.
Parnaz Foroutan visits "A Place for Us" by Fatima Farheen Mirza.
This episode of the LARB Radio Hour features guest Frederic Tuten, who discusses his memoir "My Young Life," plus book recommendations from John Waters.
A major social theorist explains the logic of finance capitalism and the modes of resistance appropriate to it.
Andy Fitch talks with David Wallace-Wells about his book "The Uninhabitable Earth" and our insatiable consumption habits.
Nathan Scott McNamara talks to Tom Roberge and Emma Ramadan, co-owners of Riffraff, a bookstore, coffee shop, and bar in Providence, Rhode Island.
Anastasiya Osipova argues that the translators of “Kolyma Stories” by Varlam Shalamov have often obscured the author’s literary and political intent.
Three Montana State University graduate students analyze the artistic toolkit of Wallace Stegner Chair lecturer Richard Ford.
Verónica García Moreno reviews Susannah Drissi's recent poetry collection "The Latin Poet's Guide to the Cosmos."
Joshua Milstein excavates “Sediments of Time: On Possible Histories” by Reinhart Koselleck, translated by Sean Franzel and Stefan-Ludwig Hoffmann.
Matthew Janney talks to Samanta Schweblin about her recent short story collection, "Mouthful of Birds," longlisted for the Man Booker International Prize.
A major German philosopher on the legacy of Friedrich Nietzsche.
Greg Gerke revisits the author/speaker tension in Marianne Moore's poem "Silence."