Good Crumb: On The Great British Bake Off
For Dear Television, Sarah Mesle talks rough puffs, proving drawers, self-saucing puddings, and The Great British Bake Off in the age of Brexit.
For Dear Television, Sarah Mesle talks rough puffs, proving drawers, self-saucing puddings, and The Great British Bake Off in the age of Brexit.
Louise L. Schiavone reports on the decimation of tens of thousands of years’ worth of oyster reefs.
For the second anniversary of the Plato Problems column, Andy Fitch poses some questions to Plato himself.
Shoshana Olidort talks to poets Alicia Ostriker and Erika Meitner.
Yxta Maya Murray reviews “Indelible in the Hippocampus: Writings from the Me Too Movement,” edited by Shelly Oria.
Kyle Stevens considers the 1951 film “Olivia,” an obscure queer classic from an under-appreciated.
Mitchell Evenson talks with Robert Wood about his new book of essays "Suburbanism."
Nancy Miller’s deep exploration of female friendship, and the role of death in friendship, is a welcome and extraordinary addition to an impoverished genre.
"White Flights" is a faultlessly argued collection of essays about how whiteness dominates the American literary imagination.
Sarah Haas reviews Jess Row's latest book, "White Flights: Race, Fiction, and the American Imagination."
Nathan Scott McNamara reviews Naja Marie Aidt’s “When Death Takes Something from You Give It Back,” translated from the Danish by Denise Newman.
Ellie Robins is moved by “Homesick,” a memoir by Jennifer Croft.
Sports historian Lindsay Sarah Krasnoff uncovers an archival mystery about France, China, basketball, and a forgotten attempt at Cold War diplomacy.
Danielle L. McGuire introduces “The Algiers Motel Incident” by John Hersey, republished after 50 years.
Todd Dufresne excerpts his new book "The Democracy of Suffering" and talks with Tony Greco about the many sides of environmental disaster.