Jazz Not Math: On Hélène Landemore’s “Open Democracy” and Chiara Cordelli’s “The Privatized State”
Christopher Kutz evaluates "Open Democracy" by Hélène Landemore and "The Privatized State" by Chiara Cordelli.
Christopher Kutz evaluates "Open Democracy" by Hélène Landemore and "The Privatized State" by Chiara Cordelli.
Désirée Zamorano reviews Naomi Hirahara’s “Clark and Division,” a novel set in a community of Japanese Americans recently released from an internment camp.
Dana Gioia unpacks William Butler Yeats’s “The Lake Isle of Innisfree” as an example of how to analyze poems.
Daneet Steffens talks with Julia Dahl about the inspiration behind “The Missing Hours,” her latest novel.
Lara Vergnaud reflects on translating “Captain Ni’mat’s Last Battle,” Mohamed Leftah’s posthumous 2011 novel.
Reimaging Dante’s great poem 700 years after the poet’s death.
In this column, Saikat Majumdar discusses books from India that haven’t received due attention.
Jarrett Adams’s “Redeeming Justice” shines a light on the inequities rife in our criminal justice system.
Dashiel Carrera talks with Alexandra Kleeman about the subtleties and peril of the Los Angeles landscape and her recent "Something New Under the Sun."
The classic story of the child down the well played out in Southern California at the dawn of television.
Reviewing “Making AI Intelligible,” Paul Dicken concludes it might be easier “to build a human that can talk to a computer, rather than the other way around.”
LARB presents the second entry in “Pasts Imperfect,” a column that explores the impact of ancient pasts on the present.
Fiona Bell is both captivated and disturbed by the narratives of violence in “Sisters of the Cross” and “The Little Devil and Other Stories” by Alexei Remizov.
“Literary Afrofuturism in the Twenty-First Century” stands firm in the messiness of it all, proclaiming that said messiness as, in fact, a part of its making.
For Catherine Liu, Jesse Jackson’s exhibit “Suburban Ecologies” affords a provocative and unsettling reading of Irvine.